The Perfect Storm

“I'll be asleep, and all the sudden there he is, that big smile. You know that smile. And I say, 'Hey, Bobby - where you been?' but he won't tell me. He just smiles and says, 'Remember, Christina: I'll always love you; I loved you the moment I saw you; I love you now; and I love you forever. There's no goodbyes - there's only love, Christina; only love. Then he's gone. But he's always happy when he goes so I know he's got to be okay - absolutely okay.” (05/07/2005)

The acting is handled brilliantly (Clooney's captain in particular is more than believable), there's nothing to criticize about the directing (the final sound flashback leaves a significantly more positive impression than I originally thought), but because of the screenplay, it is unable to get past the routine, familiar patterns of the genre. (07/13/2023)

The cast is great, the visual effects are excellent and the film’s dramatic poetics are also pleasant – it’s not just another popcorn, eye-candy disaster movie. The script, however, is too contrived, unoriginal and predictable, as if it was written at the last minute. What, for example, was that secondary storyline with the helicopter rescue of the boat passengers supposed to mean when it was in no way related to the rest of the film’s plot? (05/27/2002)

If Petersen didn't try to unnecessarily drag out that movie. The story with the rescuers is nice, but if it had only taken place on the radio, it would have the same effect and the film wouldn't be so long. However, I appreciate the excellent scenes at sea, they are more than just well-made, they are very believable. The guys are well-selected, Diane Lane is fantastic. At least the ending is not unnecessarily American. (07/27/2015)

Petersen's Hollywood standard, which has traditionally been based on the great heroism of the main characters, who are written in a way that is just enough to make the viewer like them. From leisurely fishing, the manly Clooney and the romantic Wahlberg, etc., get into the heart of a terrifying storm, in which the hitherto suspiciously calm and supple film begins to take a turn. It's more a case of a breathtaking effects than some big directorial input that makes The Perfect Storm a good film. Even the acting performances are not exactly top of the line - let's say they are typical for the genre. All in all, this theatre about a bunch of fishermen works exactly as it's supposed to. If Petersen didn’t overdo it at the end (which resembles an explosion of a vanilla warehouse), it would have been a full-on spectacle. (03/04/2004)