Doctor Strange in the Multiverse of Madness

The cup of patience has run over. In fact, I actually hesitate even to call this a film. I don't understand why no one else complains about how horribly the characters are keyed to those fake backgrounds, that no one minds that the framerate makes, say, the lab scene look like something out of Code Blue. I haven't seen something where everyone cares so much about everything in a long time. It has no beginning, no end, the actors aren't entertaining, the fictional worlds have no stakes of their own, and it's bathed in cliché. And the script's a real doozy, too. Sam Raimi is in a great position in Hollywood where whatever crap he makes, all he has to do is put a skeleton in it and a zoom shot to get people to cheer at how he references himself. I think The Last Children of Aporver would have been a better movie as a result. (08/03/2022)

Of all the Marvel superheroes, Doctor Strange has the most potential for visually wild and appealing films. Filmmakers can get awfully crazy, and especially now that Strange is supposed to travel to other worlds and universes and where everything was once again based on magic, so the boundaries of normalcy were pushed a lot further than, say, in Black Widow. In that respect, there's nothing to fault in the Multiverse of Madness. Sam Raimi enjoyed his return to blockbusters and, unexpectedly, Kevin Feige allowed him to be his typical self. There are a few horror and scary moments, references to the visual style of the first Spider-Man and even Evil Dead, and it's nice to watch. The trouble is that there's not much interesting stuff going on. The story this time around is fairly banal, the characters uninteresting, and the whole time I felt like there was a missing minute here or there where it could slow down and go a bit more in-depth. I didn't get the sense that the universe was at stake or that Strange himself had to undergo some major transformation. It's simply a nice attraction, but it wraps up a not very interesting plot. It should have been better. (05/04/2022)

I found myself in a multiverse of madness as I watched Sam Raimi struggle to project his distinctive style, directorial and cinematographic flourishes, and slightly horrific and morbid touch on the big screen. At that point, it all disappeared into the abyss of screenwriting cluelessness and a largely meaningless and uninteresting story. Once again, Marvel is just playing it safe, with nothing to surprise the viewer. It has its tried-and-tested gimmicks in the form of a dozen useless cameo roles that deadlock the plot just to tease further spin-offs, which are already a total slap in the face. Plus, this year's Everything Everywhere All at Once definitely kicked this overpriced corporate product's ass when it comes to playing with multiverse. Sam, I hope you cashed a decent check for this, and now please go and make a low-budget horror movie that makes you and the audience happy. Please. (06/03/2022)

Definitely one of the most distinctive and auteur-driven films in the MCU. The central motif is slightly sixth-rate (as in, I'm just a caring mother and I care about my kids), but Elizabeth Olsen manages to pull it off remarkably well as an actor. Sam Raimi recycles himself here (the kitchen scene is very much a copy of Drag Me to Hell), but still manages to imbue the second Strange with at least some semblance of personality. The script is weaker and not very bold, but the whole thing somehow goes well and there are some (un)expected cameos and the introductions of the old (un)familiar. I was expecting more, but all things considered it was still great.[75%] (05/09/2022)

It’s quite... Well... Ordinary. The plot is fine, although if I had seen WandaVision I would have found my way to it faster and wouldn't have had to wait for the film to explain what it was all about. But that doesn't hide the biggest problem. Most of the new Doctor Strange felt “meh”. The new young character wasn't properly introduced, she was just there and everything started to revolve around her. Strange and Wong have abilities more like Green Lanterns than the mystics from the first movie, that semi-camp atmosphere that Sam Raimi had in his Spiderman movies doesn't suit Strange either in my opinion, every now and then something happens just because someone thought it was a good idea to make it happen, but it doesn't make much sense... And the horror, which sometimes really reigns supreme, is again – unfortunately – balanced by not very good jokes. And then there's the multiverse, which I had so many hopes for, but which is hardly used at all! The characters can theoretically jump from one world to another, but they spend most of the film in two, and the one in which the expected cameos take place (which are also no big deal) is quite boring and differs mainly because it switches to red. For example, Avengers: Endgame used time travel a hundred times more imaginatively. It’s a shame. I watched Strange's first film a few days before going to the cinema and liked it much better. PS: Danny Elfman didn't really pull it off either, because he uses Giacchino's great motif, but his own music is not very interesting. PPS: I don't think Strange has much to envy Black Widow's solo outing, and it's certainly no worse than the recent Morbius, so I'm quite curious to see how the critics will handle it :) (05/05/2022)