Battle Royale

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In the near future, the economy has collapsed, unemployment has soared and juvenile crime has exploded. Fearful of their nation's youth, the Japanese government passes The BR Law: Each year, a 9th grade class is sent to a remote island where they will be locked into exploding neck collars, given a random weapon, and forced to hunt and kill each other until there is only one survivor left. Chiaki Kuriyama (Kill Bill) and screen legend Takeshi Kitano (Boiling Point, Brother) star in this movie that has been argued, acclaimed and banned around the world. More than a decade later, it remains one of the most savage, shocking and emotionally powerful films of all time. Now experience the complete Director's Cut of Kinji Fukasaku's uncompromising masterpiece - nominated for 10 Japanese Academy Awards - available uncensored and unrated for the first time ever in North America. (official distributor synopsis)

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Reviews (9)

POMO 

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English Battle Royale is a beautifully shocking murder flick whose absurdity you just have to laugh at (even out loud in a few places). It’s superbly filmed and edited, with locations that are reminiscent of both Bad Taste and Ring. But I'm not a fan of it. The million-dollar idea is half-baked. The initial decadent fun tries to come across as something more at the end and it only gets halfway there. *** SPOILER FOLLOWS! *** The important dramatic motif involving Takeshi Kitano’s character betraying the whole system and the rules of the game for the love of one of the players almost doesn’t work at all and the final ideas that stem from it seem overly contrived in the context of the preceding show. ()

DaViD´82 

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English Anyone out there want to give this a try in the flesh? If so, February 29, Střelecky Island, it’s a date. If you take some good speakers with you, you’ll be able to play the genius soundtrack. Kitano won't be there, but finding a charismatic bum to play the victim for a box of wine shouldn’t be a big problem. The next opportunity will be February twenty-ninth, the year of our lord 2012. I'm looking forward to it, happy hunting! ()

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gudaulin 

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English I read an excellent sci-fi story on the topic depicted in this movie about a twisted reality show where a group of inmates sentenced to death fought for survival, and the winner received not only mercy but also a decent reward. This dystopian spectacle aimed to divert the attention of the viewers from the economic crisis and societal stagnation. The main problem with Fukasaku's film is the inadequate portrayal of the background, of why society and the government had agreed on such a twisted game because, without its filming and broadcasting in the media, it somehow loses its meaning. If we accept the screenwriter's game, the director made the most out of the idea. The fight for survival within a closed community of high school students naturally offers tremendous opportunities to display a wide range of emotions, tension, and measured brutality so that the viewer remains appropriately excited throughout, and the relatively surprising ending is their reward. Everything is accentuated by a provocatively chosen musical background; you wouldn't believe the shots the director can combine with "The Blue Danube" waltz. Takeshi Kitano in the role of the tough teacher is naturally flawless in terms of acting, although his motivation, or rather the transformation from an intellectual to a cynical killer, is somewhat forced from a screenplay perspective. Overall impression: 80%. The film can rightfully be criticized for gratuitous naturalistic violence, but for the majority of its duration, the director successfully balances on the edge of bearability. ()

Goldbeater 

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English The subject matter may be superficially about endless mindless violence, however, with such a strong creative team producing it, it is a well-shot action movie in which everything works - from the psychological issues of the characters and their presentation to the audience, natural acting, and believably emotional performances, through imaginative and intensely violent scenes, to almost poetic overtones. Within the world of Battle Royale itself, everything might not make sense, or things are not clearly stated - the meaning of the danger zones is not sufficiently explained, and the objective/effectiveness of the whole game is probably also quite debatable, yet as an idea, the movie works perfectly and creates some moments for flawlessly shocking action scenes, which Jinji Fukasaku unashamedly and extensively exploits, and at the same time, thanks to the aesthetics of the savagery and the choice of soundtrack, he can have the movie stamped with the hallmark of a "nobler" kind of art. What else is there to add? I enjoy this picture with big gulps with each new viewing. ()

lamps 

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English A very bold and stylish thriller that owes its undying fame to its controversy. I still have the nagging feeling that even more could have been extracted from such an excellent premise and that cramming ideas about life or deeper meaning into a story like this was a low blow to the viewer, but there’s not much more to complain about. Fukasaku knew exactly what he wanted to achieve, and he succeeded. From the very beginning, it’s a very brisk and, thanks to the shocking content, rather unpleasant spectacle full of blood and violence that fleshes out the human character into the blackest form imaginable. From a filmmaking point of view, it’s an almost flawless piece of work, with an effective atmosphere, excellent soundtrack and developed psychology of the main characters, whom we get to know through small episodes from their past. Of the actors, the most striking is of course Takeshi Kitano, whose character surprisingly has the most depth and most important motive. I won't, and I don't want to ramble on about the message of Battle Royale as a vision of modern society, because it's as debatable as the film itself, I would simply say that Fukasaku is a madman who took great pleasure in letting his imagination run wild. No wonder Tarantino praised this film so much. 80% ()

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