The Evil Dead

I get why this film has cult status, but for me it’s not worthy of a full score. The first half was great, but the second has several dull moments, the plot gets stuck somewhere and all I could do was wait for an ending that was clear. The final disintegration of the demons didn’t have any atmosphere due to the not very good special effects. It needs a remake, those special effects today don’t work as they should. (01/03/2008)

Since the remake is knocking on the door, I decided to watch the original 1981 film without being some kind of horror movie fan. And I have to say that this 30+ year old film does not do the genre any shame. Many of the scenes are nicely paced, the atmosphere is thick, and the visual effects are quite well done for the time (the rape in the woods was really scary). Otherwise, the make-up artists also did a great job and created more than one hideous face. (03/16/2013)

On the one hand, it is perhaps too frantic and prolonged by several unnecessarily long scenes of destroying "friends", yet on the other hand, it is definitely imaginative, playful, solidly suspenseful atmospheric fun. I saw Evil Dead for the first time today, so I really can't go on and on about nostalgia, VHS tapes and whatnot. But even so, the film has a kind of special charm that is hard to describe. I'm curious about the sequel. (07/27/2012)

It takes a pair of balls to make meat like this on a budget of $375k, and for a then !!! twenty-two year old !!! The Evil Dead was a dream come true for Sam Raimi, as he and Bruce Campbell had saved up for it during their high school years and largely financed the entire project themselves. To be honest, I didn't believe it could be that good :))), however, already here, in Raimi's first "major" film, you can see his unmistakable style, some excellent directorial ideas, and an amazing ability to create, in conjunction with the sometimes quite unpleasant music :)), a great atmosphere that will have you gasping from the first minutes. An absolutely stunning work for its time, and one that has given Sam Raimi a reputation as one of the most interesting icons of film directing. (02/09/2010)

To etch such an innovative notch in the annals of horror at 21 requires quite a lot of filmmaking talent, and Raimi here proves with every minute that he has more than plenty of it. The perspective shots and the visual tricks with the foggy environment in the first half generate an atmosphere that is thick as oatmeal (and also delivers rape-by-tree and the book of the death), while the great make-up and an endless dose of inventive camera movements in the second half hold the entertainment value at the highest level, even though the script is stuck in one place. The watering of the light-bulbs and the window projecting blood are immortal moments with deserved cult status. A simple premise exploited to the fullest with a very unorthodox and delicate climax – modern ghost stories can’t hold a candle to this. 80% (01/16/2019)