Stand by Me

Beautiful. I love the premise and I'm delighted that it managed to come to life so well thanks to all the boys and Rob Reiner. I was wondering how the ending could have moved me so much when almost nothing actually happens in it... And it's probably that I was just moved by the whole film, and merely saving it for the end. (07/20/2020)

At first glance, it's an incredibly unassuming film, much like Stephen King's unassuming novel. But when you take a closer look and let yourself be drawn into the story of a few boys, you realize just how powerful and beautiful the drama is, serving as a portrayal of the differences between being a child and an adult. It's almost like betting. What do you think will become of that boy? No, you can't tell when he's 12 or younger. (01/11/2016)

My bookcase is decently stocked with Stephen King's work, so it’s no surprise to me that he can write more than just horror stories. I even feel that his great strength is mostly in how engagingly he can write about common things. For example, when I first read “It” I was surprised at how much I enjoyed the passages where the boys (and Beverly) were building a dam in the Barrens and fighting against Henry and his gang. This novella is similar. Fortunately, its great atmosphere was transferred to the film, which is almost unheard of in film adaptations of King's novels. I had a great time. Even though some moments leave a little to be desired after all these years, I stick to my original rating. (10/25/2017)

The 1950s to the fullest, as well as King's proprieties, but the central four boys have no chemistry with each other, nor does Reiner's narration. This adventure has a simple plot but discourages via the narrative lapse that subjectively stretches the runtime to twice its length. This is because there are a dozen more problems the boys worry about before they start liking girls, but instead of a teenage epiphany, we get an endless camera romp without passion or drama. (03/19/2017)

Despite not having read the book, I’m not afraid to say that this is an excellent adaptation. It has all the ingredients that make the work of Stephen King so distinctive and remarkable: the problematic relationships of the heroes with their parents, the loss of a loved one, Maine in the 1950s, a conflict with a physically stronger antagonist and child protagonists maturing during a series of symbolic events. The simple story is lined with the heroes’ journey to a goal that gradually gives way to situations, conversations and flashbacks, during which the kids become full-fledged characters, while the questions regarding death, affection and friendship take on concrete meanings. The pace is very slow at times, and the villains are exaggeratedly evil (as it’s traditional with King), but the power of the easygoing and unsentimental narration wins, and when in the end you hear the notes of that beautiful Ben E. King song, you feel like grabbing your sleeping bag and embark on a proper adventure with your mates – though instead of a corpse, I’d rather go looking for a sleeping beauty or a wandering beer barrel. (02/05/2019)