The Big Blue

It's interesting to follow the journey of a filmmaker who was considered a phenomenon in the 1980s and nowadays no one is too sure whether the trust placed in him was a disappointment or just exaggerated expectations. Be that as it may, it's now a piece of history and the French touch of Besson is not nearly as engaging as it once was. However, in hindsight, it's quite interesting to watch then-star Rosanna Arquette in a very natural role (remember those sassy, unattractive girls of hers?), Jean-Marc Barr (who I otherwise only see in von Trier projects), and Reno, who I never know what to think of (are those poses of his still cool today)? (06/16/2017)

Great idea. Very interesting execution. What about the result? It’s very hard to express, I had a hard time even with the rating in this case. Besson has a very distinctive style, he can turn an intimate human story into a gripping and compelling spectacle, as he did in Leon or La Femme Nikita. But this one is a completely different film and it will depend a lot on the nature and the tolerance of the viewer. Everyone will probably react differently to a story about the rivalry between two old friends, which is kept at a very slow pace throughout, lacks any special effects and plays on emotions. But Besson put his whole filmmaking heart into it, and that had an impact on the result, with an unforgettable ending that is a beautiful signature over this small but at the same time huge film. (05/28/2012)

For two years, The Big Blue has been taking up space on my hard drive without any use and all this time I didn't have the desire or courage to watch it, anticipating that I would significantly dislike this effort from Luc Besson. The time when it had something to offer me is long gone, very long gone. I was not mistaken and when I think about it, I get the impression that my 2 stars are quite a decent expression of my conformity with 84% satisfaction on FilmBooster and enthusiastic comments from many users. What Besson offers me, i.e., music and underwater shots, can be offered to me in a more attractive package by any nature documentary. I don't like its Hollywood sloppiness, it is empty in content and besides, I increasingly mind films that pretend to have greater depth and profound messages where all I see is more posing. Overall impression: 40%. (12/02/2014)

I like movies that look like their storyboards, I like Cinéma du look, I like the sea and Jean Reno. By contrast, however, I find sports in general to be eminently moronic performances, and watching overgrown kids measure their depths then makes it impossible to accept this great, fatal, fateful plane rising above the rules of civilization. (08/14/2021)

It lacks a proper visual concept. Occasionally, it looks like a cheap made-for-TV production rather than a work of the famous Luc Besson. A few nice deep shots, several scenes with dolphins, and that's about all that’s worth mentioning. Only Eric Serra didn't disappoint, he gain composed perfect music that can easily rival his greatest works (La Femme Nikita, Leon). (12/18/2004)