Cellular

At the beginning it was a crazy trip. In the introduction I thought that Chris Evans was making fun of me when he deliberately walked around shirtless and tried to seduce Jessica Biel with cheesy pick-up lines. She wasn’t buying it, so I felt like I was going to watch something similar to Beverly Hills 90210. Then we get to see Kim Basinger who has a problem, and at that moment the movie becomes a Nokia commercial. It was probably good at the time but today it’s pretty laughable considering where Nokia is today and what it could do in 2004 according to the movie. I had no idea about many of these functions until watching the movie but okay. Over time, the flick turns into a pretty good action movie with the best the genre has to offer. In the end I was surprisingly satisfied – which is something I didn’t really expect. (03/20/2019)

At first, I was quite scared about what Morgan, the debutant, had prepared for me in the script, because the main abduction happens before I even get a chance to settle down, and right from the beginning it presents an unbearably (and almost unwatchable) hysterical Kim Basinger and Chris Evans, who is trying to win back his ex-girlfriend. In the end, it turns out to be a mixture that alternates excellently built tension with logical lapses and adds a moderately high pile of clichés on top of it all. Fortunately, a likable character gradually emerges from the mess, so I had someone to cheer for, and thanks to Evans in particular, I have the impression of a better-than-average movie in Cellular. (06/06/2006)

Cellular is not a serious and suspenseful thriller by any stretch of the imagination. It’s rather just an overwrought joke of a movie with a lot of clichés and donkey bridges. And even some of the characters are copies of other characters from better and more famous films (for example, Macy’s cop is a facsimile of Duvall’s Prendergast from Falling Down). Kim Basinger is bland and Chris Evans is simply just there with his TV-series good looks. On the other hand, if you don’t take it seriously, but merely as a lively 100-minute Nokia commercial, you’ll have a good time, but definitely not a better time than producer Dean Devlin had after signing the contract with the company. (10/12/2004)

If I overlook the fact that it's a bit of an ad for Nokia, I have to say that I quite enjoyed myself for almost a hundred minutes. The big plus is that neither the director, nor the screenwriter, and often not even the actors take it too seriously. The screenplay was passable, of course, the film didn't avoid several convoluted scenes and worn-out clichés, but there was nothing unbearable. The pace was very solid and you never get bored. (07/26/2005)

Only exceptionally can you find such a textbook example of product placement in the film industry as this little film. However, I must admit that I didn't get bored at all by this excessive advertisement for NOKIA. The advantage of the film is its fast pace and reasonable duration. Although I am sensitive to a derivative screenplay and inconsistencies in the plot, in this case I did not mind these types of flaws. Basinger as the main star attracts attention about as much as my grandmother in her nightgown, but even that is not a hindrance. If you don't have high expectations, the film gives a decent chance for entertainment and represents a light genre above average. Overall impression 65%. (05/17/2007)