Mean Streets

  • Australia Mean Streets
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The story of Charlie (Harvey Keitel), a charming 27-year-old who is supported by his devoutly Catholic mother. He spends his days wandering the streets of New York City and nights hanging out drinking with his good friend Johnny Boy (Robert De Niro), a loose cannon that can't seem to escape trouble. Charlie's extreme affability makes him the middle man between his mob-tied uncle Giovanni (Cesare Danova) and various clients, as well as between Johnny Boy and Michael (Richard Romanus), a bookie who has become fed up with Johnny Boy's constant debt dodging. As the city's San Gennaro Festival takes over the streets of Little Italy, Michael seeks revenge on Johnny Boy once and for all. (official distributor synopsis)

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novoten 

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English Scorsese has always been able to give his key films an incredibly cool atmosphere. He managed to do the same with this unassuming gangster film. However, you have to play along with her game to really enjoy it, as the story unfolds through smoky bars, streets full of strange characters, or restaurants where cunning mobsters sit. So, the setting is exactly to my cinematic taste. When I add in the charismatic Keitel and slightly insane De Niro, I know that all that was needed was to thicken the plot and I would be paying endless tribute to Marty. 85% ()

Malarkey 

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English I have a little problem with Martin Scorsese. His older movies are not fun for me, even though I consider his newer ones some of the best flicks there are. I’m such a heathen that I gave Taxi Driver and Raging Bull three stars, and I will do the same with Mean Streets. In this case mainly because it’s so boring. Well, boring might be too strong a word. It’d be safer to say that the story is not as captivating as other mafia crime movies, failing to make me give it 100% of my attention while watching it. ()

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kaylin 

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English When you look at "Mean Streets," it's hard to imagine it being associated with that little man who looks so innocently and defenselessly. However, Martin Scorsese directed a film that could easily serve as one of the inspirational sources for Quentin Tarantino's first film, "Reservoir Dogs." And even for other films, while we're at it. Scorsese was not afraid to show the street as it really looked. He didn't exaggerate, but he also didn't hide anything. There's not much violence here, just fights that are definitely better than in the film "Raging Bull". However, what stands out the most are the characters and their performances. Especially the trio of De Niro, Keitel, and Proval, because this time it's truly their acting performances that take the lead. ()

gudaulin 

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English In the film, it is evident that Scorsese was still exploring the world of cinema. His potential was apparent, and a social atmosphere of the 70s emerged on the screen - racism, the Vietnam War, minority integration, etc. The film follows the story of a foot soldier for the mafia who works as a collector for his influential uncle. He is not cut out for the job, not tough enough, but a family business is a family business, and being loyal pays off. Mean Streets lacks coherence, better character development, and work with them. The story is diluted into a chain of loosely connected scenes from the lives of the lower ranks of the mafia. It is nice to see the young faces of De Niro and Keitel, whom I had fixed as older guys from movies made 20 years later. The film itself, however, is only a slightly above-average affair. Overall impression: 60%. ()

3DD!3 

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English Not very much happens. Marty filmed a great filler with a couple of brighter moments. Excellent actors, Johnny Boy De Niro was most impressive and a surprisingly posh Harvey Keitel also does a good job. But so what, if the excellently written dialogs don’t have a powerful result. This is simply a prelude to Scorsese’s later, more fundamental movies. ()

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