Alien

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The terror begins when the crew of a spaceship investigates a transmission from a desolate planet, and discovers a life form that is perfectly evolved to annihilate mankind. One by one, each crew member is slain until only Ripley is left. (official distributor synopsis)

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Reviews (12)

Marigold 

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English A classic that nowadays affects me more with its perfect visual design by R.H. Geiger, rather than a haunting impression, as during the first watch. Yet it is impossible to admire R. Scott's skill in inducing an atmosphere of danger and working with the "established" horror techniques that have become the quintessence of modern science fiction horror filmmaking under his guidance. ()

Isherwood 

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English Seven years later, I again watched the film that got me interested in film in the first place. I was surprised that it hasn't lost any of its appeal over the years. Perhaps the fact alone that I remember those legendary moments vividly enough to still be frightened or tense. But that's a purely subjective feeling. Scott's thoughtful direction, in which all the essential elements - the cold spaceship design, the play of lights and shadows, Goldsmith's music, the rational crew and, last but not least, the legendary uninvited guest - are perfectly in place and can still captivate me even all these years later. To today’s generation (my contemporaries), for whom cinematic horror is produced in the form of screaming teenagers and remakes of Asian boogeymen, this space opus probably doesn't really do much for them, but over the years it's not what, but how! Without a drop of nostalgia, fully aware of "getting older," it’s still an absolutely riveting blast. ()

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gudaulin 

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English Alien is one of the fundamental works of the sci-fi genre, which meant the definitive emancipation of sci-fi as a full-fledged genre that can be classified in the A-category and compete for the highest honors at film festivals. It completed the process started by Kubrick with his film 2001: A Space Odyssey. At the same time, it rehabilitated the motif of space "monsters" which had been profaned by cheap B-movies of previous decades. The director approached the subject with maximum seriousness and worked very carefully with the screenplay, opting for an excellent collaborator in the form of the previously little-known artist H.R. Giger. It is precisely in terms of visuals that the film does exceptionally well, using a wide range of colors to evoke a gloomy atmosphere. The alien ship appears remarkably strange. The environment of the worn-out spacecraft full of various sounds created by technology creates a special tension that stays with the viewer until the last moments. The slowly increasing tension is followed by shocking "scares." Alien makes an original impression and evokes genuine fear. The actors approached the film with obvious skepticism, considering it to be one of the common cheap genre films, and were pleasantly surprised by the result. The film catapulted Sigourney Weaver into the ranks of the stellar acting elite and guaranteed her very nice salaries in the future. Ripley became her defining role, and many fans simply identified her with the starship officer. I remember the desperate attempts of the youth at the time to get into the movie theater for the screening. The film was hugely popular and also restricted to a certain age. Even many years later, although it is no longer at the forefront technically, Alien still has a very impressive and fully functional atmosphere. Overall impression: 100%. ()

Kaka 

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English Ridley Scott cannot be denied his directorial skill and sense for a unique creepy atmosphere, but after so many years, it doesn't have quite the same level of horror as it did ten or twenty years ago. The original screenplay, the great cast, and the excellent direction, along with the depressive music and fantastic devilish atmosphere, are all positives, But I still give preference to the militant Cameron. ()

Remedy 

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English Ridley Scott's first major "notch" in world cinema. A film shot in an utterly timeless way with lots of creepy sounds and visual "experiences". Sometimes I wonder how much better the final impression could have been if I could have sat in the cinema (preferably alone) in that year 1979 or 1980 and enjoyed the horror in its full glory on the screen. But back then I was just a twinkle in my mother’s eye...))) One of Mr. Scott's best pieces. 100% ()

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