Scream

(Spoiler alert!) For the fifth time, we hear "What's your favorite scary movie?" on the phone, and right at the beginning you ask yourself the question: Does a film, built on the same genre structure as its four predecessors, even have the potential to surprise and lure audiences into the theater anymore? The fifth Scream, and also the first without the late Wes Craven, has that potential. It should be mentioned beforehand that those who have not seen all the previous episodes cannot appreciate the latest outing of ghostface. The creators managed to artfully incorporate moments referring to the first four films into the story, while playing with genre expectations in a great way (close a door – nothing, close a closet – nothing, close another door – still nothing ... and suddenly you are stabbed), so despite the template-like structure, the latest Scream doesn't feel formulaic and manages to surprise. The identity of the two killers was not so surprising and you basically discover it during the attack in the hospital, which unfortunately convinces us that everyone is deadly. Yes, a couple of the murders really hurt! But the shocking revelation of the killers wasn't so much the point as paying homage to Craven and his legacy. Plus, it was good to see the old trio back together (the Gale-Dewey line really had an "onion" vibe), without which the younger and half-unseasoned cast couldn't have pulled off the film. Last but not least, I was surprised by the return of a character from "the other side". Three and three-quarters stars! PS: "Don't f*ck with the original!" PS2: Anyone who has seen Once Upon a Time in Hollywood will experience déjà vu at the end. (01/15/2022)

On a certain meta-level, the film’s protagonists excuse the fifth Scream for being a mere recycling of several worn-out formulas and motifs (which it is), because that’s what devoted fans want. And it is possible that that might actually be enough for fans of the genre, particularly fans of this franchise. Nevertheless, such a hackneyed film that serves viewers practically the same thing as its predecessors and has no need to distinguish itself in any way is hardly saved by the fact that its creators are aware that it’s worn out and humorously point that out in places. The protagonists can endlessly make snarky comments about the various rules of the horror genre and all of the mistakes that horror-movie characters make, but what good does that do if they themselves can’t avoid making the same mistakes? To a certain extent, however, there is still some entertainment value in the game of guessing which character is the killer while the possibilities gradually dwindle. Otherwise, neither the new (and not particularly likable) characters, the return of old familiar faces nor the gory (though unimaginative) murders hold much appeal. (02/20/2022)

The resurrection of Halloween made a fortune, so let’s try to resurrect Scream. This franchise is handicapped by the fact that it can make a killer out of anyone without any sophisticated motive, and that it is thus only a matter of a hiding place with would-be cool references to other horror movies and would-be sophisticated plays on genre clichés. The first one from 1996 was innovative in this respect. But the resurrection after 26 years without any progress in imagination is able to satisfy only with a decent number of slayings and the nostalgic return of the trio of original stars. Don’t expect effective scares and don’t be surprised if the characters continue to function relatively well after being stabbed in the gut with a big knife. Was there such silliness, delivered with a straight face, in the previous instalments? (03/19/2023)

It laughs out loud at The Babadook, The Witch, and Hereditary for being pretentious bore and then lets us spend two thirds of the film watching close-ups of uninteresting people dealing with family relationships. It comes across as XXX-parody, because the film comes across as terribly cheap (like there's no money for extras at a high school or hospital) and the actors look like porn actors. And I don't mean that as an insult – they do really look like that. (04/12/2022)

The Scream franchise was bound to come back at some point even without Craven, so there is no reason this could not happen. This movie is a solid continuation of the franchise, even if it does not bring much new to the table. I was slightly shaking my head at some of the creative decisions. Plus, with one specific creative decision, I even said I might not count it as canon (and I am not going to). However, this is still a very entertaining slasher horror movie that is undeniably meta. Some of the dialogue makes you laugh, and it is entertaining with fine new characters, among which Jack Quaid clearly stands out. Plus, there is Kyle Gallner as the white trash redneck who should have been in there a damn sight more! With the next installment, the movie’s producer will just have to go down a very crazy route, so it is not the same thing over and over again, so I expect at least the return of Matthew Lillard, who probably only has minor scars on his face from the first Scream. (02/04/2022)