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Paleontologist Alan Grant and his paleobotanist girlfriend, Ellie Sattler, give lectures on dinosaur history between digs at remote exotic locales. One dusty afternoon, John Hammond, a millionaire inspired by scientific wonders, makes an offer to the erudite couple that they can't refuse: He asks them to act as consultants on his entrepreneurial endeavor--an amusement park with live dinosaurs as the main attraction. On an island off the coast of Costa Rica, Hammond's already biologically engineering living dinosaurs by extracting and reconstructing dino-DNA from fossilized insects. But bedlam ensues when Wayne, a computer genius, tampers with Jurassic Park's security system so that he can smuggle out a bunch of frozen embryos. The prehistoric creatures break loose around feeding time and the millionaire, the scientists, the park employees, and two children become fair game. (official distributor synopsis)

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Matty 

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English A flawless example of integrating CGI into the narrative. Thanks to the fact that dinosaurs also appear as attractions in the fictional world and the characters perceive them as such, they film still has a palpable “wow” effect to this day (exemplary in this respect is the scene in which the main characters first see the dinosaurs in all their glory). At the same time, it is an excellent (or reprehensible, depending on how much you despise capitalism) example of how to incorporate merchandising into the story (the uniformity of the film’s logo and the park’s logo, the “incidentally” filmed gift-shop selection). Jurassic Park is a self-assured Hollywood product that gives you your money’s worth by providing superior entertainment that works in every respect. What fascinates me the most is that its effectiveness, which only a few directors have come close to matching, comes across as simply a matter of course. 85% ()

Stanislaus 

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EnglishLife, uh... finds a way”. I've loved dinosaurs and everything related to them since I was a kid – from encyclopedias, to museums, to feature films and documentaries – and Spielberg's Jurassic Park is at the top of the list for me in terms of feature films about these prehistoric lizards. I've seen it several times now, and even though it's been a whopping thirty years since its premiere, it still manages to mesmerise me to the hilt. The film breathtakingly manages to breathe life into the long-extinct creatures that once dominated the land, sea and airspace, bringing them closer to the audience in a supremely authentic way. In addition to the stunning work with animatronics and the incredible visual effects, the makers "spared no expense" on the sounds of the dinosaurs, which feel truly believable (even if it is essentially a reconstruction). The scenes with the escape from the T-Rex and from the kitchen with the velociraptors still take my breath away. But Jurassic Park wouldn't be what it is if it weren't for the casting, with Jeff Goldblum and the young Joseph Mazzello entertaining me the most. Last but not least, I can't forget the wonderful musical score by John Williams, which wraps-up the unique audiovisual experience that Jurassic Park was, is, and will be - "We spared no expense." ()

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lamps 

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English An icon to which I owe much, and I’m not exaggerating. When I was little, it made me fall in love with Hollywood big movies, and with the passing of the years and with each new viewing, it has enriched me with more and more discoveries of how to make a perfectly polished and narrated Hollywood big movie. The immense ease with which the story is carried, unravelled and concluded is only a reflection of the meticulously thought-out screenwriting process and the result of Steven Spielberg's admirable work. Even after at least the fiftieth time, it makes me so happy to get carried away by the initial ideal family idyll, which gradually and smoothly turns into a thrilling adventure ride with the raptors that the film tastefully and systematically introduces in the opening scene. Spielberg's production design and Williams' brilliant score cause goosebumps with unlimited staying power, and the stunts just don't get any better or more believable. I love this film, its characters, its world, its story full of timeless directorial tricks (the vibrating water surface, the tree, the rebooting of the system...), and I love the unprecedented aware merchandising. Iconic status with capital I. ()

Marigold 

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English The great trick revolution, or how silicon found happiness. Spielberg's creation set a new standard and opened up entirely new horizons for commercial cinema by massively involving computer effects into acted film. Unfortunately, it was forgotten that, in addition to tricks, Jurassic Park offered only cheap Crichton broth. The lizards have aged, the tricks are old, and we're left with this nicely gnawed skeleton of an adventure film that's relatively good, but not any more than that... ()

D.Moore 

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English Jurassic Park - two hours of SOMETHING that probably changed my life. A perfect film in every respect. No matter what anyone says, the special effects are still unrivalled today. I don't know how it's possible, but when I look at a giant Brachiosaurus, I feel like it's alive. The T-Rex or the raptors in the kitchen are equally creepy. Jurassic Park got me into movies - I've loved the silver screen ever since. It also taught me to appreciate film music and gave me a reason to adore John Williams. That Spielberg's direction is unparalleled probably does not need to be mentioned, as well as the performances of all the actors. Basically, this is a movie miracle. You know it by heart, but you always like to watch it again.___P.S. Crichton's book is better, but in this case I don't think the book-adaptation comparison is appropriate. It should be perceived as Crichton and Spielberg looking at the same thing, but through their own eyes. ()

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