Raiders of the Lost Ark

Raiders of the Lost Ark was and will probably remain the best adventure movie. No wonder, when two of the most ingenious and most talented filmmakers of their era, Steven Spielberg and George Lucas, stood behind its inception. They created the character of Indiana Jones, a slightly unorthodox archeologist who went down in history in a short time. First we meet him in 1936 when he is commissioned by the US to find the mythical Ark of the Covenant which Adolf Hitler, obsessed by the occult, is desperate to acquire. The first part of the Jones Trilogy is without doubt the best. The mystical powers of the Ark, along with the enrapturing music by Williams manages to evoke fear of the unknown even now after so many years. The ending in the warehouse has an indescribable atmosphere that makes your hair stand on end. (12/02/2006)

Anyone who doesn't take this brilliant ride through the history of adventure and stylistic tropes as an absolute gem is ripe for a psychiatrist. Spielberg and Lucas created a new form of entertainment that, with any luck, won't get old even after 1000 years. An example of a fully effective application of outdated genres and references to a dominant and entertaining filmmaking style, a playful and engaging combination of myth with real thematic background. Excellent music and camera, an awesome Harrison Ford and very possibility the most iconic character in cinema history, and so on, and so on… (01/31/2022)

The two scenes that I consider essential for appreciating Raiders of the Lost Ark (though there are a number of others) are the sequences with the airplane and the submarine. The former is a masterclass in constructing action in space and narrative in the sense of layering information and details that will then be utilised for dramatic effect and causal scene development. In addition, this sequence also demonstrates Harrison Ford’s strengths as an actor, or rather how he is able to sell his charisma while concurrently enhancing the comic essence of the scene with his facial expressions and body language. I find the submarine sequence essential for understanding the entire Indiana Jones franchise and its self-conscious work with trash. It divides viewers into two camps. One will nonsensically debate how Indy could have gotten to the island with the submarine. The other camp will enjoy the genius of the editing ellipsis consisting in the fact that it doesn’t answer the question at all, because it simply doesn’t have to. Then, after a few episodes, the first group of viewers will disparage the refrigerator scene and the presence of aliens (even if they’re not bothered by the Biblical supernaturalism of the first and third instalments), while the opposite camp will appreciate them as further manifestations of how the filmmakers honour the saga’s roots in trashy film franchises and their straightforward logic and low-brow elements. (07/14/2022)

The film that forever changed the adventure genre and added more mystery to it than ever before in this first installment. However, even after many, many screenings, I still have a problem with its restrained pace and I will never include it in the group of the best films in history. Not that Ford's star doesn't shine like never before, but both Raiders of the Lost Ark and later Temple of Doom will always be in my eyes mainly warm-up acts to The Last Crusade. That doesn't change the fact that Indy is one of the most charismatic and likable movie heroes. (04/30/2006)

My first great adventure film, and if it wasn't for Indiana Jones and the Last Crusade, it would have remained the greatest. Spielberg has a rare talent for combining a thrilling story, a mystically chilling atmosphere, superbly rendered characters, and a narrative push-off into an explosive whole that is funny, haunting, thrilling and emotional. Dr. Jones, a man of two faces versus Hitler's evil realm in an environment of mysterious and ancient forces. Iconic from the first to the last second, fabulously filmed, the acting, the sound, the tricks... It's kind of a fairy tale, kind of a horror film, and every inch the adventure ride that turns grown men into little boys and little boys into big heroes... So, what do the ladies say? (04/18/2004)