JFK

An impressive Kevin Costner and stickler for detail, Oliver Stone. An excellent reconstruction, but if we ask the question: “What has this actually done to change anything?" the answer is just a shrug. We’ll have to wait a couple more years for the final and official version of this review, but I’m sure it’s drawing near (I’m sure that they are hard at work on it right now). P.S.: The part with Donald Sutherland is perfect. (04/17/2011)

A quality film. Oliver Stone with another one of his burning topics of American history and again well executed. A good screenplay, great camera work (the black and white the authentic footage are fantastic and enhance the overall authenticity of the film), excellent editing, and quality acting performances. (09/01/2004)

At a time when Stone didn’t like American "high society" at all, this (at the time) most controversial Hollywood character proved to be an excellent fabricator with a sense of demagoguery that the viewer has no problem believing in. Stone dealt with the controversial topic in his own way, which may well be considered a true reconstruction until 2038 when the Warren Report is to be declassified. Although his leftist mindset oozes from the film at every moment, the aesthetics of the film's narrative are so evocative that we can set aside our own thoughts for three hours and be swept away by the director's analysis of the case conducted on the basis of a conspiracy thriller. The great editing blurs the distinction between documentary and cinematic fiction, and although the film is crammed with dialogue (and a final monologue by the brilliant Kevin Costner), it’s never boring. And even if three hours may seem like too much, when it's over, Stone makes the viewer feel like they've just untied the Gordian Knot. And yet... in the end, not that much gets resolved. (09/04/2006)

I watched a three and a half hour long film, in which they actually talk all the time, and I wasn't bored for even a second. Does that say enough about how riveting JFK is? I hope so. Oliver Stone has masterfully handled the material and turned a script that could easily have seemed like a simple conspiratorial pub tale about the good guys and the villains into a believable story. The film literally engrossed me during the opening title sequence (a perfect montage of real and newly created shots underlined by the fantastic Williams) and until the end it kept offering something new that made it worth watching breathlessly. And the cast... Just great. (12/02/2011)

It makes absolutely no difference whether what is presented here is actually true or just one of many conspiracy theories. The way everything is presented, the way the performances are strong - Sissy Spacek has never been more beautiful - you still get a strong impression from it, especially about the fact that we're just puppets. Oliver Stone at his best. (02/25/2016)