Starship Troopers

How to stay true to the idea and structure of Henlein's premise while epically wiping your ass with it and its entire author. The inability of critics of the time to recognize the satire in a film steeped in Reiefenstal-esque angles and the sectarian milieu of a utopian Earth, not to mention the cast, demonstrates time and again the importance of building a sensitivity to the form of film, the Achilles heel of most film theorists. ___ Update 2021: I am convinced that there is no such thing as immunity to visual propaganda, and whoever thinks they have it is saying so in the name of propagandizing others. After years of rising above the propagandistic nature of Starship Troopers, it only just dawned on me that the proper reading is to succumb to it for a lovely 129 minutes and, through cheering on those beautiful young people, to enjoy that sense of power and purpose. It's an important cathartic experience that ultimately helps you be more sensitive to the natural need to fall for that propaganda and marketing in real life. (08/25/2019)

Verhoeven on drugs. :) It’s almost incredible how well this film works. Here we have a futuristically oriented mockery of militaristic nationalism, a bunch of schoolboys in love, sets like from Star Trek, and waves of nasty bugs spreading death in a very brutal and gory way. But most importantly, we have an avalanche of amazing insight, outrageously entertaining execution of both the individual action scenes and the concept of the narrative as a whole (the TV spots featuring the mindset of the society and the physicality of the bugs are not to be missed), Casper Van Dien as the male lead and a downright gorgeous Denise Richards as the female lead. A nostalgic sci-fi flick which, if we accept in time that we are watching a deliberate insane B-movie, is an almost inexhaustible source of entertainment. 80% (11/18/2015)

If Verhoeven had actually made the satire that many comments refer to, I would have enjoyed it, but the director doesn't make fun of multiple genres at once. Instead, he combines three genres together to occasionally try, sometimes clumsily, sometimes decently, to engage the viewer. However, I would like more than just oscillating between awkward dialogues, unsurprising training, and the film's best aspect, namely well-executed and action-packed fights with the enemy. I would like to delve deeper into the film, and the resolution of whether the main hero ends up with this or that, or pondering how beetles can kill in different ways, can never provide that. (08/14/2007)

Verhoeven doesn’t mess around much. Starship Troopers was a commercial flop in the US, the Americans found no sympathy for the satirical undertones of the fascistic depiction of the human society of the future and the naturalistic gore scenes. When I went to see it, there was a little girl and her mom sitting next to me. The little girl loved it at first, the story unfolded like a sort of Beverly Hills 90210 from the future. Gradually, however, Verhoven's creepiness began to be revealed and the little girl and her mother couldn't stand it and ran away from the cinema. I, on the other hand, was in my element. State-controlled news and army recruitment, as if cut from the documentaries of the Communist era. Kindergarten children trampling little bugs to the enthusiastic applause of the teacher, it was like seeing our peasants exterminating the American potato beetle in the 1950s. The cerebral elite in long black coats, looking like Gestapo, a female lead dying in pain and with blood in her teeth – tell me, how many times have you seen a female lead die like that in a mainstream film? No, I'm not a pervert who revels in that, I just love Verhoeven's lack of inhibition, which he has demonstrated so many times before and which, in the case of this film, makes for a hard-to-digest affair that can't possibly have a chance at wider commercial appeal. And I get the feeling that Verhoeven doesn't give a toss, and that's what I like about him. Arms, legs and heads fly through the air with such frequency that it must have given the censors a hard time. And on top of that, those amazing visual effects. No, this is not mass entertainment, this is a cult-classic for weirdos. (05/11/2003)

An incredibly entertaining parody of everything that stood in Paul Verhoeven's way at that time. Brilliant internet interludes, brutal and unprecedented bloody action scenes that are almost flawless, likeable protagonists, excellent one-liners, Michael Ironside as the ultimate badass, and fantastic looking bugs. This is how an action-packed masterpiece should look, skillfully alternating suspense with light-heartedness. I admire the director, he truly wasn't afraid to use large amounts of blood and scored with that. If nothing else, even the skeptics will remember this movie because of all the severed limbs and heads. Brilliant fun and excellent score by Basil Poledouris. (05/07/2005)