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When a man goes for virtual vacation memories of the planet Mars, an unexpected and harrowing series of events forces him to go to the planet for real, or does he? (official distributor synopsis)

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Reviews (10)

Zíza 

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English The 1990s brought a lot of good things (like me :-D), but this sci-fi is not one of them, at least for me. Terrible sets (even sci-fi from previous years had a much better idea of the future), a story that really scrapes, music that likely didn't even make it to my ears. The only plus is Arnold's accent... Unfortunately, this cult didn't enchant me and left me cold. But definitely check it out – if there’s at least two of you – it will bring a little education. :-) ()

Lima 

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English In a nutshell, Total Recall is a great movie. I'd even go so far as to say that after Blade Runner, it's the best film adaptation of a Dick novel, this time with a superb performance by the brilliantly perverse Paul Verhoeven. His direction is dynamic and his relish in lots of blood and violence that is typical of him is irresistible in a way. The story is properly Dick-esque, dark with an ambiguous ending and that's how it should be. The visual effects are fantastic for their time and were deservedly rewarded with an Oscar. And I must not forget to highlight Jerry Goldsmith's imaginative soundtrack, which is impossible not to listen to and which is one of the best that the Master has composed. A sci-fi gem for the connoisseurs. ()

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Necrotongue 

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English Today I felt like watching something from the work of my long-time favorite director, and when I realized that I hadn't yet written a review for the movie that, along with RoboCop and James Cameron's Terminator series, completely captivated me at the beginning of the nineties. I was obsessed with action movies back then, and this quartet repeatedly brought me joy. I admit that this classic has noticeably aged (but compared to me, it still looks great), so the action sequences and special effects fell short of today's standards, to the point of being hilarious at times. Still, it didn't spoil the experience for me in any way. Paul Verhoeven's style of filmmaking resonates with me, so his cerebral excursion combined with an interplanetary trip still entertained me after thirty years. If I changed my original rating, I would be a hypocrite because I still really liked it today, I had fun, and I could reminisce about some exciting (and wild) times. When I compare it, for example, to a movie like Tenet... / Lesson learned: More of a reflection this time: Is it possible that the Recall company actually exists? There has been a strange increase in cases of women who remember what happened five, ten, or twenty years ago. It makes you wonder. ()

Othello 

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English I remembered Panos Cosmatos saying that his aesthetics came from finding videotapes as a boy in the late 1980s, when he would form his own idea of the stories contained in them from the images on the covers, which were ultimately far more normal than one would expect from these samples. I realized that this was about the fourth time I had actually seen Total Recall and it was only this time that I sort of somehow knew what it was actually about. Not that the plot is all that convoluted, but it is so consistently littered with spectacle and deviations from the usual boundaries of genre films that from a certain point on you can just stop watching it altogether. Verhoeven and Schwarzenegger make the most expensive movie in the world in the late 1990s, and this is how it turned out? Probably around the time the film moves to Mars, the papier-mâché sets are perhaps a little too much, while at the same time the whole miniaturesque corridor structure feels like an adventure built out of Legos by a kid who drinks a lot of sugary lemonade. ()

gudaulin 

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English Originally, I had four stars in mind when I reminisced about the film's premiere in movie theaters years ago. Now I watched it again and I have moved on somewhat, and the overt B-movie popcorn simplicity bothers me now. The film reminds me of cheap mainstream adventure comics with sci-fi themes, which still lie in my library and shaped my taste at a certain time, but nowadays I read and watch different things. The classic sci-fi theme of Philip K. Dick's version has little in common with Paul Verhoeven's version, but it is appropriately action-packed, filled with chases, shooting, and bloody fights, so for a viewer who is not compelled to think, it is a joyride. Verhoeven traditionally does not shy away from brutal scenes, so fans can enjoy severed hands and blasted human bodies and protruding entrails. Nevertheless, it is one of the few better films where Arnold Schwarzenegger appears in the lead role. Though his performance here is not outstanding, he also does not descend into silliness. Overall impression: 55%. The film's strong point is the set design, which even years later does not feel outdated and was top-notch at the time of the film's release. A colorful sci-fi spectacle for teenagers. ()

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