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In this second chapter of the "Matrix" trilogy, Neo assumes greater command of his extraordinary powers as Zion falls under siege to the Machine Army. Only a matter of hours separates the last human enclave on Earth from 250,000 Sentinels programmed to destroy mankind. But the citizens of Zion, emboldened by Morpheus's conviction that the One will fulfill the Oracle’s Prophecy and end the war with the Machines, rest all manner of hope and expectation on Neo, who finds himself stalled by disturbing visions as he searches for a course of action. Strengthened by their love for each other and their belief in themselves, Neo and Trinity choose to return to the Matrix with Morpheus and unleash their arsenal of extraordinary skills and weaponry against the systematic forces of repression and exploitation. But there exist powerful figures within the Matrix who refute the artifice of choice, evading the responsibility it brings as they feed on the emotional truths of others. Meanwhile, there are exiles like Agent Smith, whose inexorable connection to Neo compels him to disobey the system that has called for his deletion. Driven by the humanity he once despised, Smith will consume everything in his path on his quest for revenge. On his treacherous journey toward further insight into the construct of the Matrix and his pivotal role in the fate of mankind, Neo will confront greater resistance, an even greater truth and a more impossible choice than he ever imagined. At the confluence of love and truth, faith and knowledge, purpose and reason, Neo must follow the course he has chosen. (official distributor synopsis)

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kaylin 

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English It's terribly easy to damn this movie, at least compared to the first one. It's extremely B-movie-like and almost one could say mainstream, and its stylization may not fit everyone. In my opinion, it should be evaluated together with the second movie, because they don't make sense without each other. Number one can stand alone, the series could easily end with it, but the second one needs "Revolutions". And I'm satisfied with the result. The only thing that annoys me is the nonsensical philosophizing, which reaches its peak in the third part. ()

NinadeL 

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English I remember the second Matrix film as something that disappointed me, because part of the promotion was, among other things, a strong targeting of Monica Bellucci, who really can't be the main reason to see Matrix Reloaded. However, in retrospect, it is not that much worse than the first film. It's just that the party time at the beginning still seems so inorganic. Especially considering how Neo and Trinity's relationship is written like it was out of a fairy tale. ()

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novoten 

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English Once in a while, I watch Reloaded because it still has its power even after two decades, but it always lacks something and I can never describe exactly what it is. Maybe it's the magic of something new or a certain innocence that works in the first film even after multiple viewings. The biggest problem lies in the connection with the dark and overcomplicated Revolutions, which, at least as I perceive it, only shares a bond between the main duo and the action side. There are unfinished ideas, precise actions (often just to have some action present), clumsy dialogues, aging tricks, or overdramatic and now truly stupid insertion with the Merovingian. Surprisingly, even after all this time, I still insist on what I said about the film back in 2003. If the second and third parts were one whole, if unnecessary philosophy and excessive fighting with machines were omitted, or if the path to the source had ended as it should have, it could have been a cohesive, more optimistic, and overall better story. 70% ()

POMO 

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English Reloaded is a completely different film than the first Matrix. It seems as if it wasn’t even made by the Wachowskis, but rather by James Cameron in cooperation with Paul W.S. Anderson. Cameron is brought to mind by the bombastic set design in Zion, Anderson by some of the excessively digitalized visual effects (Neo’s face during the fight with the Smiths is a bad joke). The content is for nothing – whereas the previous film’s dialogue got its charm from the interesting idea of a parallel world, the dialogue here just messes around with words in a pseudo-intellectual way. The fistfights combined with the exotic techno soundtrack are very elegant and all the action on the highway is fantastic. And the nice costumes and detached humor (Frenchman Lambert Wilson and his vaginoscopy) are also pleasing. Beyond that, however, The Matrix Reloaded is just a synthetic formalistic diversion and fashion bubble. ()

Kaka 

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English If you are willing to endure tons of logical and illogical wannabe profound nonsense, you can expect a fairly solid film that offers a lot, especially in terms of visuals. Excellent action, where, in my opinion, there is practically no blood, but I can accept this fact comfortably given the exceptional style of the film. The shooting scenes are fantastically filmed (something similar can perhaps only be done by Michael Bay and Michael Mann), and last but not least, the fantastic sound and music mix deserves praised. The screenplay is relatively solid and the performances are quite decent for action sci-fi. At times I was bothered by the excessive amount of visual effects (the fight with Smith, the ending), but that can be overlooked. Stylish and innovative entertainment. ()

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