Furiosa: A Mad Max Saga

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As the world fell, young Furiosa is snatched from the Green Place of Many Mothers and falls into the hands of a great Biker Horde led by the Warlord Dementus. Sweeping through the Wasteland, they come across the Citadel presided over by The Immortan Joe. While the two Tyrants war for dominance, Furiosa must survive many trials as she puts together the means to find her way home. (Warner Bros. US)

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Reviews (10)

3DD!3 

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English An excellent flashback to Fury Road. It lacks Max Rockatansky, it lacks the frenetic pace, but the story is more substantial. Furiosa explains the laws of the imagined world. George Miller seems to realize that he skipped over a lot of things and presented them as fact without showing them. He describes a fragile symbiosis that is disrupted by Chris Hemsworth's Dementus, one of the best creations of his career. If it's true that the previous Mad Max was mostly about Furiosa then Furiosa is mostly about the foxy Dementus. He's the one who shows the world turning into an oil-soaked desert. Anya Taylor-Joy is good, but the little girl who plays her when she was young is even better. Weaker music and slightly worse visual effects. Still, very good. ()

D.Moore 

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English Not to repeat himself, George Miller went about it differently this time and decided to focus on what he didn't have time for last time, and we get to know the characters and the world better. But that doesn't mean there's no action. There is action, and what kind of action. The first act alone puts most recent action movies to shame, and it's still just getting started. In short, Furiosa is an excellent film, with a great Anya Taylor-Joy, who actually enters the scene perhaps somewhere in the middle, and a perfect villain played by Chris Hemsworth. I absolutely love it when actors use make-up to help them become someone else entirely, and Hemsworth has done just that to perfection. He's erratic, insane (how else), but he's also hilarious and, in his own way, ridiculous as he speeds through the desert on his post-apocalyptic tricycle. He clearly enjoyed the filming, and I enjoyed the result. ()

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DaViD´82 

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English After nine years, the spin-off prequel to the fourth installment of the established franchise from a nearly 80-year-old geezer... If it weren't for the Mad Max franchise and the old-timer George Miller, one would have expected a mess. But that series is Mad Max and that old man is the visionary Miller, or once again, a peculiar, lavish, audio-visually polished spectacle, brimming with ideas in literally every scene. My only criticism is that the running time is too (especially in one particular chapter). It teeters on the edge of "more of the same" vs. "more room for characters and world building but not more of the same". Which isn't necessarily a criticism, but a more pronounced lean to one side might not be out of place. Either way, they are just minor details. ()

MrHlad 

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English Furiosa was still a child when she was taken from her home. She grew up surrounded by violence and madness, but she never stopped wanting revenge. In the wasteland, a war is brewing between two armies of brutal dictators, and Furiosa intends to be on the front lines. George Miller returns to a harsh post-apocalyptic world, but in a slightly different way than you might expect. There's still plenty of action, and there are so many ideas in a single scene that other Hollywood blockbusters could live off of it for years. However, this time around there are more complex characters and, above all, a greater effort to immerse yourself in a world full of chaos and discover that it too has its own order. Miller delivers another one of his visually lavish and uncompromising visions, and he knows he can afford not to pander to audiences who expect nothing more than more of what they got last time. ()

POMO 

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English The story of Furiosa and her anticipated revenge, with more looks into the Citadel, is dramaturgically richer than the endless chase in Fury Road. Despite that, it’s not emotional even in the cruellest scenes and hints of feelings. And mainly it doesn’t have Tom Hardy. However, the character of Furiosa, who since childhood has been shaped by violence, inhumanity and filth, is a strong enough draw, the film’s dynamics are incredible from the opening scene and, together with the visuals and the details contained in them, those insane masks and costumes are absolutely amazing. A filmmaking highlight of scenography and creation of an original fantastical world. But I had trouble fully believing Chris Hemsworth as the demented villain. ()

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