The Whale

The Whale is a balanced mix of intimate psychology and touching sentiment. It is engaging primarily thanks to its main character, the likes of which cinema has not seen before, as he is shocking in his appearance and studying his inner self is enjoyable. Brendan Fraser is excellent with incredible make-up and is supported perfectly by Sadie Sink in the role of his daughter. Their encounters overflow with unspoken emotions and anger over the hurt on one side and regret on the other. Yes, Fraser’s character pities himself too much and his discovery of the importance of sincerity in life is laughable, but even so, The Whale remains a beautiful and sensitive film that doesn’t lack artistic investment by its creator. (03/04/2023)

In my opinion, The Whale is Aronofsky's second best film, after The Fountain. It isn’t nasty like Requiem for a Dream, nor is it bloated like Black Swan or weepy and formulaic like Wrestler (although it has a lot in common with the latter), but this time it just worked. Although the story doesn't really surprise with anything, it's so well written (you can see the theatrical backbone), acted (Brendan Fraser is brilliant, I'm rooting for him) and filmed (we practically don't leave the apartment, but it doesn't matter) that my cautious curiosity turned into enthusiasm pretty quickly. But I must also praise Sadie Sink and Hong Chau, without whom Charlie would not be Charlie, and I must not forget Simonsen's music. I was originally going to give it four stars, but after a couple of days my reservations melted away under the weight (ahem) of all the unexpectedly positive things the film brought. (03/04/2023)

I dare say that this dense and intense human drama with well-drawn characters is definitely one of the best movies that directorial magician Darren Aronofsky has made so far. In my opinion, it has a lot to say about contemporary interpersonal relations. On the surface, it may seem like a simple story about a stout man overeating, but I personally think that The Whale reflects the state of today's Western society in a very artful and sad way. Aronofsky's movie requires greater sensitivity and patience, but it richly rewards the audience with psychological depth and truthfulness. If you accept the plot without preconceptions and let it wash over you, you will experience a stronger catharsis at the end. I would never have dreamed that I would ever wish Brendan Fraser an Oscar, but he really deserves it for his utterly convincing portrayal of the morbidly obese good guy Charlie. But the list of great performances certainly doesn't end there. Sadie Sink is also excellent as the rebellious daughter Ellie, and Hong Chau as Charlie's caring friend is also very interesting. (90%) (03/12/2023)

If this were a raw last confession of a lost human soul without any pretensions and all sorts of gimmicks, it would be an absolute blast. The Whale shouldn't have been made by the master of allegories, Aronofsky, who combines uncompromising depression with religious motifs, art literature, and strange human creatures that might not be there at all – I was just waiting for parallel universes and other dimensions to appear. Two stars for the phenomenal Brendan Fraser and the moments when the film is exactly the coherent genre composition it should be for the entire runtime and not just a few fragments. (02/27/2023)

After not very well received film Mother! and five long years, the master of depressing and oppressive dramas is back, and he's still on form thanks to (his thematic favourite) God. Within Darren Aronofsky's filmography, The Whale is probably closest to The Wrestler in its somewhat restrained approach by the director's standards, as it also tells the story of the bitter life of a man at the end of his rope who has a problematic relationship with his daughter. In terms of premise, The Whale is not an inherently complex film, but it mixes in some interesting themes and moments that leave the viewer engaged with the action on screen. The lion's share of all this is of course (literally, given the fat-suit) the breathtaking performance of Brendan Fraser. I always had reservations about him, but here he proved his acting qualities to perfection as Charlie. He was ably seconded by all the supporting characters played by Sadie Sink, Hong Chau, as well as Ty Simpkins and Samantha Morton. While the film kept pretty much to the ground (or was it Earth?) (thanks to Charlie's mass, and not just Charlie), there were more than a few places where Aranofsky poked fun at his favorite Creator, but not in an underhanded or purposeless way. The Whale, like Charlie, may be naive and overly positive in places, but it also manages to convey the message that people can be amazing if they have support and are honest with themselves in an authentic and not aggressively weepy way. (03/09/2023)