The Whale

It's been a long time since a film managed to evoke so much sadness, regret and compassion in me, and it's all the more surprising that it was Darren Aronofsky who did it. I know he's a highly respected director, but his films are not among my favorites, and I don't feel the need to revisit them (except for Requiem for a Dream). This film probably won't be an exception, but it definitely appealed to me more than his previous works. Apart from the very captivating music, the film stands mainly on Brendan Fraser's performance, which is incredible; considering how he pulls everything together with his voice, his face, his facial expressions, his eyes – the performance was incredible. Sadie Sink is undoubtedly a talented young actress, but unfortunately I didn't like her character. Of course, I understand where her anger, resentment, bitterness, maybe even hatred stems from, but I couldn't find my way to her. She was evil from start to finish, and the hint of reconciliation in the last second of the film wasn't enough to mollify me. Nevertheless, this is an interesting and novel piece of work, and one that emotionally swayed me quite a bit. (03/08/2023)

Obesity and bulimia are issues that have not been addressed much by Hollywood, so I applaud the fact that this substantial rarity does not downplay the issue, nor does it revel in it. By Aronofsky's standards, it is a fairly normal story that is unexpectedly friendly to the audience whose feelings he likes to play with. Towards the end, however, he mines emotions in an outrageous way, and as a result all previous believability is taken away. It's disappointing, but not enough to obscure the most important thing, Brendan Fraser is back at full force after all these years, and if anyone deserves countless accolades for this feat in the coming months, it's him. (11/02/2022)

An acting masterclass combined with a masterclass in unnecessary directorial manipulation. If Darren had reined in his desire to drag the viewer into a fit of transcendent emotion and had carried the film through to the end as an intimate story about a human mass of guilt and loneliness, it might have had the punch that he last achieved in The Wrestler. Unfortunately, however, this is how the redemption of a self-destructive man becomes more distant the more the director tries to make it poignant. Fraser, on the other hand, deserves maximum respect, as he account for all of the humor and humanism in this dubious dramatic cetacean. (12/30/2022)

It makes me happy whenever a movie draws me in so perfectly that I forget it's just a movie. And this one did it extremely well. I know Brendan Fraser as more of a comedic actor, but he convinced me that he deserves an award for his performance here. I consider the Oscars highly politically influenced, but if it makes anyone happy, let it be Brendan Fraser. Fans of more action-packed spectacles might not enjoy this film, but I really immersed myself in the story and enjoyed watching the protagonist whose suicide was agonizingly slow, as well as all the secondary, undernourished characters. I really enjoyed the character of Liz, who was smaller in size but 10 feet tall at heart, and Sadie Sink as the bitchy Ellie. Despite being profound, the film did not dissolve into boring philosophizing about the transience of human life. On the contrary, the creators spiced it up with a pizza night that turned into an evening with Mr. Creosote, and I couldn't believe my eyes. I couldn't help but notice that the Heimlich maneuver has evolved, and I'm glad that there was space for occasional flashes of subtle humor. / "You say you're sorry one more time, I will shove a knife right into you, I swear to god!" "Go ahead, what's it gonna do? My internal organs are two feet in, at least." / Lesson learned: If you decide to commit suicide, be aware that some methods are time-consuming and financially demanding. 5*- (03/27/2023)

If this were a raw last confession of a lost human soul without any pretensions and all sorts of gimmicks, it would be an absolute blast. The Whale shouldn't have been made by the master of allegories, Aronofsky, who combines uncompromising depression with religious motifs, art literature, and strange human creatures that might not be there at all – I was just waiting for parallel universes and other dimensions to appear. Two stars for the phenomenal Brendan Fraser and the moments when the film is exactly the coherent genre composition it should be for the entire runtime and not just a few fragments. (02/28/2023)