D.Moore

At the level of the previous two parts, i.e., an atmospheric film for audiences who are not very demanding, who were fascinated and entertained by the first and second Fear Street so much that they want to have fun once again and find out how it will turn out. Netflix really did a good job and I’d like to watch the whole trilogy again someday. If I had to highlight something from the final part, it would be great music by Marc Beltrami and Anna Drubic, both in the first folklore half and the second more contemporary half.

A very interesting documentary shot with style, or it feels as if documentary filmmakers from another planet may have landed in the Baikonur region and started recording what they see and what fascinates them. Without words. The film has no commentary, it tells its story mainly through image and focuses on the landscape, on the buildings, on various statues and monuments, on the spaceport itself and its wide surroundings, shot in long, impressive shots. If someone speaks, they are exclusively local - children, witnesses, a scientist, and some terrible karaoke singers make sounds for a while. The more one then appreciates the return to the magical desert silence that is sometimes disrupted by launching missiles.

In the 1970s, Charles Bronson or Lino Ventura would have acted in such a film. It's a pretty honest crime film that, in my opinion, has much greater potential, so I'm curious what Guy Ritchie and Jason Statham did with the story. It’s ridiculous in places, but Albert Dupontel is a great actor and waiting for the finale is worth it.

The perfect Jessica Chastain in another of the roles she is good at - the role of a woman who goes after what she wants and most of the other characters serve as a rug on that journey. It is a pleasure to listen to the dialogues written by Aaron Sorkin, but he also managed to direct in such a way that I didn’t even notice that two and a quarter hours had passed. I can't fail to mention Idris Elba, who was Jessica Chastain's equal acting partner and acts as good as Morgan Freeman in his best form, Kevin Costner in a smaller but very important role, and also as always the perfect music of Daniel Pemberton.

A cool heist movie with an amazing cast, without which it would have made no sense to make it. This is certainly not the last time I’m watching Ocean’s Eleven, it is one of those films that you enjoy on a rewatch, when you already know the what and the how.

Although it’s a bit a exaggerated, which actually does the same thing several times as the first film, but it presents it to the viewer as a novelty. It’s still great, bloody and exciting entertainment, though. Instead of Scream, it (more than) nods to Friday the 13th, the characters are fine, the director is good.... I'm really looking forward to the end of this trilogy.

I'm sorry to say it, but this is the most useless Marvel movie for me so far. I don't feel like it contributed at all to the MCU - it was created simply because the fans wanted a Black Widow solo film (and to find out what was in Budapest so that there would be peace) and Scarlett Johansson after Endgame probably didn't mind either. It's such a wasted chance, the film stays in its lane from start to finish, and although the action scenes are pleasantly and deliberately exaggerated (it's no coincidence that Natasha is watching Moonraker) and the main characters and heroes seem even more indestructible than Jason Bourne or any Terminator, which makes sense when I couldn't form any relationship with most of the characters during that fast ride, and in the end I didn't care what happened to anyone. Unfortunately, this also applies to Taskmaster, who is suddenly just there, and according to the creators we should be afraid of him, but we can't be, because it is clear to us that this is not the type of film in which the villain could win or at least come to a draw. There are jokes in Whedon’s style, and you can forget about any tension. If Black Widow can bring anything to the MCU in the future, then perhaps only the return of Florence Pugh and David Harbour. They would both make me happy. But there was no need to tell this Black Widow story.

Compared to the previous film, this one seemed somehow emptier and at the same time unnecessarily complicated with various subplots, but despite the multiple Pixar rip-offs, it was still beautiful with many disarming moments.

Basically the same fantasy average that wants to be above average, just like last time. Even having Emily Blunt, Jessica Chastain and Charlize Theron in one film does not mean that it will be a good film. Not that I was offended by The Huntsman, but somehow I was still waiting for something really big to happen... And then came the end of the story. I was really pleased with the way in which the filmmakers (did not) bring the character of Snow White to the film, because this confirmed that Jára Cimrman and his Hamlet without Hamlet was once again ahead of its time.

A laid-back film that almost manages to walk the line between parody and serious satire aimed at the sports business. It succeeds mainly thanks to Melissa Rauch, who is simply excellent as a spoiled ex-gymnast.