Biography (1)
Lúcia Murat (1949, Rio de Janeiro, Brazil) was member of the Brazilian leftist ""guerrilha"" in the hardest times of military dictatorship in Brazil (1968-1979). She was arrested and tortured in prison, and this experience is highly influential in all of her work. She debuted in 1988 with semi-documentary Que bom te ver viva, which had its international premiere at the Toronto Festival and revieved forst award at the Brasília Festival. The political concern… (more)
Gallery (1)
Memories They Told Me (2012)
Photo © Moscow International Film Festival
Producer
| Movies | |
|---|---|
| 2022 |
The Messenger |
| 2020 |
Ana |
| 2017 |
Nobody's Watching |
| 2012 |
Memories They Told Me |
| 2011 |
Found Memories |
| 2007 |
Another Love Story |
| 2004 |
Quase Dois Irmãos |
| 2000 |
Brave New Land |
| 1989 |
How Nice to See You Alive |
| Documentaries | |
|---|---|
| 2011 |
A Long Journey |
| 2005 |
The Foreign Eye |
| 1984 |
O Pequeno Exército Louco |
Director
| Movies | |
|---|---|
| 2022 |
The Messenger |
| 2020 |
Ana |
| 2017 |
Paris Square |
| 2012 |
Memories They Told Me |
| 2007 |
Another Love Story |
| 2004 |
Quase Dois Irmãos |
| 2000 |
Brave New Land |
| 1997 |
Sweet Power |
| 1992 |
Oswaldianas |
| 1989 |
How Nice to See You Alive |
| Documentaries | |
|---|---|
| 2015 |
A Nação Que Não Esperou Por Deus: The Nation That Didn't Wait for God |
Em Três Atos |
|
| 2011 |
A Long Journey |
| 2005 |
The Foreign Eye |
| 1984 |
O Pequeno Exército Louco |
Screenwriter
| Movies | |
|---|---|
| 2022 |
The Messenger |
| 2020 |
Ana |
| 2017 |
Paris Square |
| 2012 |
Memories They Told Me |
| 2004 |
Quase Dois Irmãos |
| 2000 |
Brave New Land |
| 1997 |
Sweet Power |
| 1992 |
Oswaldianas |
| 1989 |
How Nice to See You Alive |
| Documentaries | |
|---|---|
| 2015 |
A Nação Que Não Esperou Por Deus: The Nation That Didn't Wait for God |
Em Três Atos |
|
| 2011 |
A Long Journey |
| 1984 |
O Pequeno Exército Louco |
Actor
| Documentaries | |
|---|---|
| 2020 |
Candango: Memoirs from a Festival |