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Stanislaus 

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English Mascarpone as a romantic drama about relationships and the search for one's place and oneself left me with mostly awkward feelings. On the one hand, I appreciate that the film did not end in a predictable way and offered, among other things, a great soundtrack. On the other hand, however, I found the screenwriting disjointed – whether it was the development of the character of Antonio or the insertion of the death of one of the characters, though unexpected, but essentially unnecessary. Nevertheless, as a an easygoing thing, this Italian piece, drenched in the aroma of mascarpone, is an ideal choice for a free evening. ()

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