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In a dystopian future, a totalitarian regime maintains peace by subduing the populace with a drug, and displays of emotion are punishable by death. (Netflix)

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Reviews (12)

Kaka 

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English The urban-industrial feeling is great, kind of retrofuturistic, it slightly reminds me visually of V for Vendetta. The action is great but lacks a bit of budget (but it still has a lot of energy and power), and the flashy explosion scenes are not exactly the great, but they are alright for an action B-movie with reasonable ambitions. Christian Bale is likeable and the idea is deep, although simple. There are some flaws, but nothing major. This film has pace and drive and knows what it wants to say and how. That's the main thing. ()

lamps 

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English Today this is an almost cult-classic that makes the most of the excellent premise of a world devoid of emotions and the performance of Christian Bale, who’s incredibly cool in his role sporting a cold gaze that only a handful of actors can match. The Matrix-style action, however exaggerated and silly, is wonderfully entertaining and brisk, the story is lightning-fast, with a pace that doesn't let up for a moment. Of course, the term visual orgy fits this movie better than any other sci-fi flick, but director Wimmer did a great job, even with regards to the plot, which certainly does not disgrace Equilibrium, quite the opposite. In my list of sci-fi movies this one is ranked pretty high. ()

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Othello 

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English Definitely a film for me that made me realize how scared filmmakers are of proper action sequences these days. Visual splendor, amazing music, great sets, and the final fight with the main bastard is a choreographed delicacy. I'll also mention the fast direction, the clever cinematography, and the really superb editing, especially of the action scenes. And yet the vision of a world without emotions – the filmmakers took on too much with that. From that perspective, it's quite a mess. That's why I’m not giving it a 5. ()

Lima 

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English A slightly schizophrenic mix of 1984, Fahrenheit 451, Minority Report and The Matrix. Some may like it, but it doesn't work together for my taste. The beginning was promising, though, an oppressive vision of an Orwellian society, with the excellent Bale as a cleric discovering his feelings. It had atmosphere, it had depth, but as time went on it became more and more of a mess, kept afloat by the few scenes of Bale and Emily Watson together. I wish Wimmer would make a proper action flick next time, because the final action sequence was excellent. PS: My wish was granted 4 years later, unfortunately. ()

Zíza 

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English I'd take those nifty sleeves and pockets, too... What would the world be like if we couldn't feel? Like this? Better? Worse? Would it even be at all? No, I don't want to know. I feel. You feel. We feel. And that’s how it will be as long as the last person breathes. A very beautiful film. Makes me think a lot – once the credits start rolling, that is. Otherwise, I enjoyed the spectacle throughout. The shooting and the hidden emotions. I hate strict regimes; that is, unless they're breaking down. ()

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