Batman Returns

If you want to make an adaptation of classic comic books, the biggest problem is how you want to deal with the fact that it was consumable material for the working class, basically commercial junk. They were naive stories with superheroes and villains, who look highly inappropriate in today's setting. Even though the action aspect is great in Nolan's trilogy, it seems out of place with its pathos and serious image. The vast majority of comic book adaptations suffer from schematism and an attempt to please the teenage audience. They try to impress, and they rely on effects. Burton's Batman is playful, visually polished, has a unique style and unmistakable poetics, and it is original and perfected to the last detail. Most comic movies have a problem with overkill, whereas this Batman is irresistibly ironic, evidently not taking itself too seriously. I don't think it's just the best Batman film, but also one of the best comic movies overall. Overall impression: 90%. (02/24/2019)

For me, Tim Burton's second Batman is clearly better than the first. And for several reasons. First of all, I love the dark atmosphere, and Burton serves it up much more frequently and also more palatably (I'm not saying digestibly) here compared to the first. The sets and the production design are absolutely perfect, and every shot breathes sophistication and the incredible care with which Burton built each scene. I admit, and also agree with the opinion of others, that it may be harder to digest for some with weaker stomachs, as it is a bit scary at times. The lion's share of the slickness and quality of the whole film is due to Danny Elfman, whose soundtrack is absolutely phenomenal and matches all the features of the second Batman to a tee. If it weren't for Christopher Nolan, this would be the best Batman ever and could hardly ever be topped. But The Dark Knight is The Dark Knight.) (04/24/2009)

The incredibly dark atmosphere together with Danny Elfman's music deliver a true comic book experience. I dare to say that the second Batman movie is not only more skillfully directed, but also visually more impressive, more atmospheric, and far darker. There isn't as much action, with more emphasis placed on the characters. Batman's gadgets are once again presented in full glory and for the entire two hours, there’s no chance of getting bored. The magnificent production design makes us forget about Joel Schumacher's later colorful escapades. (12/24/2005)

A traditional Burton film for sight and Elfman for sound. The spice of the second Batman is definitely the atmosphere of Christmas, in which Tim Burton recalls his memories of his legendary godson The Nightmare Before Christmas. Dazzling cynicism, destruction of symbols and especially a yellow duck in the service of evil, this time with huge proportions... Magnificent, cynical, extraordinarily watchable. But looking at the scenery alone is not enough, so there are two key characters - Penguin and Catwoman. Both are much more prominent title heroes, which is not really a bad thing, because rather than the heroic deeds of Batman, the film is about the double-edged nature of these two characters. Batman Returns is able to make do without straightforwardness and in places, unfortunately, without storytelling flair. Burton tells the story incredibly colorfully and easily, but a few times I caught myself thinking: What about, actually? In short, I would expect a little more emotion and experience, but maybe it was just messed up for me by bad dubbing and a bad translation. Otherwise, this a good Burton film with everything it should have. Even with a filling that smells intoxicatingly of German expression. (07/23/2006)

Unlike the movie "Batman," this one seems quite scary to me, which is probably due to the character of the Penguin and other twisted inhabitants of the Gotham sewer system. It is more Burtonesque, more eccentric, which is also reflected in the interesting portrayal of Catwoman. I still enjoy this and although Michael Keaton is a very peculiar Batman, I still love him. (05/21/2014)