A Prominent Patient

One thing that Masaryk cannot be denied at first glance is its unmistakable ambition, which is welcome if well used and capitalized on. Fortunately, that is the case this time, resulting in a film that definitely stands out from the average by Czech standards. The twelve Czech Lions are in order, though it's true that I haven't seen all the competing films, but Masaryk has set the bar pretty high anyway. I have no complaints about the cast, everyone played their roles to perfection and I liked the linguistic layering and authenticity. As far as the technical aspect is concerned, this is a solid film, mixing many evocative shots with an unmistakable musical score. A skillfully made and believably acted excursion into a bygone era that wasn't exactly easy or safe. (04/02/2017)

For its quality, I gave A Prominent Patient the same number of stars as Anthropoid, but these are two different movies. A Prominent Patient is not an action flick, nor does it contain playboys or a love story. It is political, contains sex and drugs, and half of its runtime takes place in a psychiatric hospital. As such, it was made for viewers who appreciate a more unique artistic touch. It is not about captivating the audience with an emotional story, but depicting a collection of historically significant events around one character in the most dignified way possible, technically at a world-class level. All of the film’s Czech Lion nominations are well deserved, starting with the script, which cleverly links the study of the disillusioned Masaryk’s personality with those key historical events that interest me, through the successful depiction of the period and gloomy atmosphere of all of the locations (mainly the interiors of palaces, where the backlit curtains are simply outstanding), to the (naturally) great actors. It’s a more detached movie experience, but it’s worth it. (03/17/2017)

If you want to get your feet in it, it requires more than general knowledge in pre-Munich political plots. In other words, it´s more for knowledgeable viewers. But at the same time, it's not even for those who has a basic idea about the topic, because it doesn't offer them anything they wouldn't already know. It does not go into too much details in this regard. The same can be said about the plot frame that is done through the mentally broken Masaryk as a person who feels betrayed and at the same time he feels that he has betrayed as well. It is not that this mode is not interesting, but it does not get under your skin so simply put, it does not do the job. And then all the art-like shots of shattering waves, etc. In any case, as a feature film version of the Czech Century TV series, it's not really bad at all. (03/18/2017)

I was surprised by how well and professionally the film is shot. If it weren't for the Czech spoken, I'd easily say it's an American production. The actors are all excellent and I didn't find a single weak performance. The screenplay may be somewhat fictionalized, and I was disappointed that it's a film about Munich, not so much about Masaryk and maybe his death, but I still enjoyed the film, even though it can hit you with quite the bit depression. (04/06/2017)

It is a pleasure to see Julius Ševčík's journey through Czech cinema, and yet it is also worth asking whether three films in the space of a decade are really enough to prove his talent. Very briefly: Masaryk is a necessary film, whether for its genre or the choice of the person it follows. It is skillfully shot, interesting, fits into the color of the Munich stigma, and offers up another shard. Those less familiar with the subject will at least be introduced to the nature of Jan Masaryk's foreign travels and hear Roden speak in foreign languages. For me, it’s a yes. (07/15/2017)