Directed by:
Paul GreengrassScreenplay:
Tony GilroyCinematography:
Oliver WoodComposer:
John PowellCast:
Matt Damon, Franka Potente, Brian Cox, Julia Stiles, Karl Urban, Gabriel Mann, Joan Allen, Marton Csokas, Tom Gallop, John Bedford Lloyd, Ethan Sandler (more)VOD (3)
Plots(1)
Two years ago, Jason Bourne thought he had walked away from his past. But now, his past is about to return. Bourne and Marie have maintained their anonymous, underground existence at the cost of permanence. Fueled by splintered nightmares and haunted by the past he cannot remember, Bourne moves Marie from city to city, trying to remain one step ahead of the threat implicit in every unexplained stranger's glance, every "wrong number" phone call--that at any second, without any warning, he might get pulled back into the world he hopes he left behind. When an operative appears in the sleepy village that has been their latest home, Bourne and Marie collapse their lives and head out. His past at the door, their only chance now is to run. But once a line is crossed and the stakes in a new global game of cat-and-mouse are raised, the Jason Bourne created by Treadstone--the covert, now dismantled operation that spawned cold-blooded, professional assassins--returns. Two years ago, Bourne walked away from the deadly world that created him with a promise of retaliation should anyone attempt contact. Now that that world has indeed come calling, Bourne intends to keep his word. They should have left him alone. (official distributor synopsis)
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Reviews (13)
The simplest guide to return in royal style. Healthily combined hierarchy of opponents, even cooler approach and a flood of captivating and formally tousled action that has become the benchmark for every other action movie that borrowed a handheld camera. For the story, the biggest plus is definitely the cold-blooded duo Urban - Roden as a contrast to my favorite Pamela Landy. The fact that my heart rate immediately increases only when Jason appears on the street never ceases to amaze me.
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Unlike the first film, the second is faster, less polished, and filmed as if it were a "live broadcast." This makes it difficult for the viewer to orient themselves with what is going on on the screen at times because they know only slightly more than Bourne - and he knows nothing... Moreover, the handheld camera shakes like a black boy in front of a group of skinheads in tense action moments - which is especially evident in the final chase through the streets of Moscow. Some may appreciate it as being authentic, but I had a bit of a problem with it. The script and acting performances are on a high level, the music is excellent, and the pace is extremely fast. Karel Roden's smaller role as a Russian oligarch is pleasing. The film forms a narrative and creative whole with the third installment, so anyone who happened to see the third one earlier will intimately recognize the style. Overall impression: 85%.
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The perfect prototype of an action movie. Excellently thought-out action from beginning to end, with a wise lesson to be learned at the end. Perfect camerawork, amazing directing, Powell’s brilliant music, an excellent story... what more can I say? I hope Ultimatum will be at least as good, if not better.
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Greengrass understood it better than Liman. The only thing his authentic Bourne loses is the choreography of one brawl, but otherwise, that which in the previous film looked like treading between a dynamic and rough thriller and a clean spy film ala M:I is replaced by Paul's typical elegance and a documentary maelstrom of images. The result is Bourne, who, in addition to his identity, finds above all integrity, the missing charisma appears where Bourne-man and Bourne-soldier become one body and one personality. Damon seems to have fully inhabited the character, meaning that Bourne is a tough guy with human features, without these things contradicting each other. Magnificent car chases, suspense even during peaceful scenes, a much more civil concept and, of course, the 24-carat final Moscow chase. I would only complain about the magnificent gesture of humanity in the finale, which is a bit exaggerated, and sometimes the predictability and the holes in the logic. But otherwise Jason Bourne is starting to win me over.
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Although I found Bloody Sunday absolutely gripping, knowing his style I couldn’t imagine how Greengrass intended to approach this commercial spy thriller. He approached Bourne in his very own way and the result is a realistic glimpse of the tricky life led by a former elite agent. From the first seconds, the pace of this picture is incredible and the way he steady increases the tension is completely exceptional. Add to this the solid plot involving nothing big, “just" a personal vendetta, and in the end the vendetta isn’t really so important. Splendid camerawork and Powell’s soundtrack suck you whole into the story. The acting is splendid too, even from the taciturn Matt Damon. As a whole this is a hugely quality picture, with added flavor in the form of nice little details that you appreciate fully only when watching it again (the poster about the demonstration and subsequent use of this information, the jump that went wrong and the limping and the fact that apart from the flashback and two shots in the tunnel, Jason doesn’t use a gun, and many more). Unforgettable, gripping, and nicely innovative (trans)genre picture. Bourne has set the bar so high for Ethan and Bond that it is almost unbeatable in its genre... ♫ OST score: 5/5
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