Directed by:
Nancy MeyersScreenplay:
Nancy MeyersCinematography:
Michael BallhausComposer:
Hans ZimmerCast:
Jack Nicholson, Diane Keaton, Amanda Peet, Keanu Reeves, Frances McDormand, Jon Favreau, KaDee Strickland, Paul Michael Glaser, Rachel Ticotin (more)VOD (4)
Plots(1)
In the sparkling comedy SOMETHING'S GOTTA GIVE directed by Nancy Meyers, divorced, successful playwright Erica Barry (Diane Keaton) has given up on finding a fulfilling romantic relationship. When her beautiful young daughter Marin (Amanda Peet) visits the family's Hamptons home with her aging, lothario boyfriend Harry Sanborn (Jack Nicholson), Erica's plight as a mature, single woman comes into stark focus. Harry exclusively dates young women, which infuriates Erica. Though initially they repel each other, things change when Harry has a heart attack and Erica comes to his aid. The two make peace and discover a smoldering attraction to one another. However, love never comes without complications. Harry still has a romantic obligation to Marin, and Erica gets a taste of Harry's lifestyle when the sexy young doctor Julian (Keanu Reeves) hits on her. Whether Erica and Harry can reconcile their differences provides the premise for an elegant, touching, and amusing tale. (official distributor synopsis)
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Reviews (8)
An American romantic comedy about how love matures in people at any age, no matter what the circumstances. The leading couple (Diane Keaton & Jack Nicholson) played really well and convincingly and there was real chemistry between them. Plus the music was amazing the whole movie. And if the running time was half an hour shorter, I wouldn't hesitate to give it 5*. But I still found it very entertaining - especially the "naked" scene and the "crying depression after a breakup". ()
They say Nicholson is retiring from acting, so why not remind yourself of his genius today? An enjoyable romantic movie that comes across laid-back, calm and real. Diane Keaton literally shines, Jack plays a good second fiddle here. At the end I realized that I saw the end once before, without the beginning and the middle, hmh. ()
A feel-good, heartwarming romantic comedy with the pleasant Diane Keaton and again a similar and equally incredibly funny satire by Jack Nicholson. On top of that, the beautiful Amanda Peet once again, an atypical role for Keanu Reeves, and all of this in a story that truly looks "like real life" in ways that so many others don't. Symbolically, the best scene for me is when the restaurant guests are amazedly looking at Harry and his young girlfriend while he just spreads enjoyable smiles all around. ()
I saw Jack Nicholson's name in the programme for this film, so I didn't hesitate and sat impatiently at the screen for a long time before it started. I liked the first half a lot, Master Jack gives his typically excellent performance almost beyond his limits and the film has a nice and fast flowing plot. Also, Diane Keaton is a great actress and contributes a lot to the successful comedy side of things. But then, the director seems to have suddenly run out of ideas, the humour is still present at times, but it’s not as effective and entertaining as it was at the beginning, and the story rather plods through the prolonged romantic scenes until the closing credits. Too bad, had it kept the quality and high pace of the first half, this comedy would have been rated better for sure. ()
God, how I hate the world of Nancy Meyers. The rich folk they meet on the way home from the farmers' market, hysterically solving their generic problems over the banquet table, sitting in cars and taxis for half the film, from which they move to fancy restaurants where they talk about how they want to be loved even though there's nothing to love about them because they're endlessly superficial and interchangeable. The emptiness of the characters here is perfected, framed by the excruciating overacting of virtually everyone, and it's downright painful to watch how the initial characterization of the characters doesn't work, for example, when you don't think for a second that the jaded and oily Jack Nicholson is a progressive hip-hop producer who cavorted with Amanda Peet. It's suffused with an utter weariness of values that tells us there's no point in trying to break out of your box, and stepping outside of expectations defined by age or status is an unnatural act of playing at something you're not. Total condemnation. Barf. ()
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