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Three homeless people make do the best they can on the streets of Tokyo - middle-aged alcoholic Gin (Toru Emori), teenage runaway Miyuki (Aya Okamoto) and former drag queen Hana (Yoshiaki Umegaki). On Christmas eve they discover an abandoned newborn baby in a trash bin, dramatically changing their odd family dynamic and giving them purpose to search the streets of Tokyo for help in returning the baby to its parents. (Umbrella Entertainment)

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Zíza 

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English The best part is watching it in a room of people who are on the same vibe as you, then the experience is enhanced. But that's hard to arrange, so if you're watching it alone, I've probably rated it a bit too high for you, but still... sometimes I just want to give it that 5 stars, and I adore Satoshi Kon's work, so... Life is nothing more than coincidence... ()

novoten 

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English He only takes things seriously when it suits him, but perhaps that is why he shows moments that are cut out from everyday life, when he can move, freeze, and make us laugh within a single minute. At the most suspenseful moment, he suddenly fires off a gag that would stand out in the craziest comedy from the old school. And last but not least, Tokyo Godfathers is, despite the timing, an almost anti-Christmas story that impresses incredibly deeply during the December holidays. A unique film, deliberately different and at the same time universally communicating with the audience – all while pulling their leg, because over time it turns the most conspicuous character into the most beloved one. Proof that Satoshi Kon was somewhere different from other famous artists I associate with anime – and that is why his premature departure continues to sadden me. ()

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