Fargo

Fargo has its flaws, and it's true that the attempt at a cynical-ironic caricature of reality hurts a bit the authenticity that, for example, the snow and dense atmosphere of the similarly weighed down A Simple Plan boasts, but the scenes are such an electrifying whirlwind of captivating filmmaking that you simply won't find a more iconic achievement by the famous Coens. What's more, it all clicks into a story that hinges on depression and bizarreness in a literally unforgettable way, underscored by amazing actors, precise cinematography and a downright delicious soundtrack. William H. Macy is one of life's most compelling losers, and Peter Stormare is a villain the sight of whom is enough to make the blood run cold... 90% (04/21/2012)

I still remember the campaign that Fargo had as a TV premiere on HBO, but I never saw it. There was really no reason not to watch it. The cast is likable, and the subject matter is one that captures the attention, but until there was a series on the horizon, there was no need to rush into it. I am now very excited for Season 2 with Kirsten Dunst and I enjoyed the original film very much. It's matured just enough because now I know who Frances and Steve are. (10/12/2015)

A superb thriller in the Coens’ unmistakable style. Everything played into their hands: 1) the magnificently bleak mood of winter Minnesota, 2) the simple yet impressive soundtrack, 3) Macey and his characterful portrayal of mean-spirited jerk and underdog, as only he can play it, 4) the pair of goons, irresistibly played by Buscemi and Stormare. Add to this the Coens' absurdist humour (e.g. the scene where Buscemi buries the money in the snow), and the final rating is easy. Only the Oscar to McDormand is a bit of a mystery to me. (05/11/2003)

When it comes to sh**, it comes to sh** properly. And best to tell you about it is Steve "Funny in general" Buscemi. And maybe also everyone who had anything to do with the events from Moose Lake, including the pregnant sheriff, the pissing sales manager and the inarticulate lunatic with a passion for woodcutters. And why? For a little money. (02/04/2006)

I have a problem with Fargo. It contains a dozen unforgettable scenes, great characters and one of Carter Burwell’s best soundtracks, but it tries so hard to be a caricature that it loses touch with reality. It thus loses some of its seriousness, which was supposed to be its key element, and remains only an original film curiosity. I spent a long time vacillating between three and four stars. I settled on four, but only for the individual scenes. The atmosphere and omnipresent snow are not enough to make a movie complex and relatable. (07/04/2009)