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Rocky Balboa is a struggling Philadelphia boxer who is scorned by his gym's owner, patronized by a local loan shark and rebuffed by a shy plain-Jane, whose brother keeps trying to engineer a romantic match. Heavyweight champion Apollo Creed comes up with the Bicentennial gimmick of touting a new fight as the chance for a nobody to become a somebody while planning to easily win the bout himself. But someone forgets to tell Rocky, who trains earnestly for the fight, and comes out swinging. (Showtime)

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Reviews (11)

J*A*S*M 

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English The years and Stallone’s reputation may have made Rocky a legend among sport dramas, but as someone who doesn’t like the genre, I have to say that it’s just a run-of-the-mill movie. It’s well made, yes, but also ordinary, and even uninteresting. I don’t feel at all like watching the entire saga. ()

Kaka 

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English There is strength in simplicity. A still completely unknown Sylvester Stallone triumphed with a magnificently written script, where one clever dialogue follows another, and he further enriched it with the so-called wooden acting, which has been so criticised. But let's be honest, can you imagine someone else under the name Rocky? America in the 1970s is truly timeless. ()

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lamps 

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English A film that bestowed immortality on its lead actor and etched itself into the eternal subconscious of a fanbase that other high-budget films can only dream of. Sylvester Stallone wrote the role to fit him to perfection, and it shows. Even his sappy moral lectures and life advice have something to them, and his relentless work and preparation for the final, emotion-packed fight is the most impressive thing Hollywood has ever offered in its sports section – until Warrior, that is. ()

novoten 

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English The duel of an outsider with a favorite remains an eternal topic in the sports genre, and when the main protagonist himself writes the script about a person who stood up to everyone who didn't believe in him, the only thing left for perfection is some equivalent from the real world. Maybe the one when the Academy really ate it up back then and awarded both Sly and Rocky with a few shiny statues. The fact that a series eventually became out of a unique story is actually a shame, but that's a different story. ()

Isherwood 

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English The naive story of the great American dream coming true is not Rocky's main issue. On the contrary, despite its simplicity, it is very believable. The problem lies in the overall execution, starting with the somewhat lacking writing skills of Sylvester Stallone and continuing through the direction to the acting performances. The first half is absolutely (!) unnecessary, the attempt to delve into the psychology of the characters is wasted due to the lack of directorial innovation, and boredom is inevitable, leading to yawning. In the second half, the plot and pace pick up towards a more promising potential, which, however, is again squandered due to the constant repetition of lines about a little insignificant man who was offered a life-changing opportunity (it only needed to be said once!). The final match doesn't surprise in any way, not only with its outcome but also with the dry impression of the used form. I would like to nostalgically close my eyes, but for some reason, I just can't do it. ()

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