The Godfather: Part II

"This is the business we chose." The second part of the brilliant adaptation of an unforgettable book. Taking over the baton from Brando is the duo of Al Pacino and Robert De Niro, who are absolutely incredible. No need to add more. Simply one of the best and most essential films of world cinema. (01/15/2007)

Rarely does the sequel succeed as perfectly as the original film, but with the second Godfather it almost did. We build on the life of Michael Corleone, who has become the new godfather, head of the family business, and we follow the complications his life brings. Al Pacino's excellent performance, which is even better than in the first movie, is a breathtaking spectacle. In parallel with Mike's story, however, we also follow the rise of his father, Vito Corleone (the only part that draws on Puzo's original book),his arrival in America, and the acquisition of much-valued respect. Robert De Niro is excellent as the young Vito and almost equals Pacino. An excellent sequel that exceeded my original expectations. The last scene of the film is completely disarming, and watching it kind of made me saddened for all those who were already... dead. (10/07/2006)

I won’t claim that The Godfather II being my 1000th review was a coincidence. It wasn’t, I intentionally saved this anticipated movie experience for this very festive moment. It wasn’t worth much, though. I don’t know whether it was because of the excessive expectations, but the film never managed to pull me into the story, and I also tended to fall asleep due to the incredible runtime. The direction and the performances are flawless, but if Coppola were to film a three-hour long, very faithful adaptation of a parliamentary session with Al Pacino and De Niro, it would also get five stars, right? The sixth place in the top feels very exaggerated to me. (12/14/2008)

The Godfather II left me with negative impressions the first time I watched it and I left the screen with a feeling of emptiness. However, as you can see in the current rating, the second screening, as usual, has changed everything diametrically and I have to write a new review. Not that I really have to, but this film deserves it. Part II is like a trophy for genre lovers that we can walk around and look at every day without ever getting get tired of it. Just watching the way Al Pacino gracefully and nonchalantly performs and talks his way around, while at the same time removing inconvenient relatives without so much as a blink, is an experience in itself, and under the baton of the virtuoso Coppola, who was obviously born for this franchise and who takes his talents here to such heights that it’s simply unimaginable if you haven't seen The Godfather before. Brilliant, truly brilliant direction that maintains a perfect mafia atmosphere (I don't know how better to describe it) for the entire three hours, always mixed with the dazzling aura of Pacino's unreadable, cold-hearted but also loving personality. Only a small group of elite actors can give such a performance, and Pacino is clearly one of them. Like the first one, this is a film that was ahead of its time and that showed me the precision that the symbiosis between a great script and top-notch direction can reach. And the final scene with the look inside the eyes of the defeated winner gave me such a chill, it was like I ended up with a bullet in my head too. Bravo! (08/18/2012)

The Godfather Part II is a cinematic masterpiece that extends the story of the Corleone family into the higher realms intertwined with politics and the even darker rules of mafia practices. Whereas the disintegration of the family as the only real value of the protagonists’ existence was hinted at in the first film, the second, longest part is entirely about it. One timeline – about the childhood and adolescence of the first film’s most magnetic character (Marlon Brando), played perfectly by Robert De Niro – depicts the core of Vito Corleone’s personality in his early days in New York, while the other timeline examines his more inconsistent and darker son Michael, who became the most powerful American mobster of his time. It is a great role for the charismatic, respect-inspiring Al Pacino, whose Michael is capable of anything. More characters, a more interesting revealing of the workings of the most powerful underworld and even more pronounced between-the-lines plot shifts come together to form a chilling mosaic of thought. With all due respect to Martin Scorsese, it’s a good thing Francis Coppola remained the director of the trilogy. His more poetic form of storytelling suits it perfectly. (06/05/2022)