Saw

The overwhelming majority of films from this area do not fall into the B-movie category, but rather the C-movie category and have a sadly semi-amateurish character. Saw significantly stands out from this production with its professionalism and is currently the actual peak of the genre. A relatively sophisticated screenplay, professional directing, editing, cinematography, and acting performances that do not provoke disdainful smiles. Along with the horror atmosphere, strongly naturalistic shots, and impressive ending, they create a perfect cocktail for Saw to become a box office hit. On the other hand, the screenplay is not so well-developed as to avoid inconsistencies and some clichés. The editing at times resembles music video production and flashbacks only delay the story. Overall impression: 60%. The sequels of this film have already lost the originality of their predecessor and are just squeezing money out of the pockets of the audience. (12/01/2007)

A delight. The triumph is not so much the story itself, but rather its imaginative compositional structure – the uncompromising way it throws us into the plot, the brilliantly constructed atmosphere of hopelessness and physical danger, and the gradual uncovering of the past, which allows us to patiently, bit by bit, look deeper and deeper into the whole plot scheme and absorb its depressing atmosphere with an ever-increasing heart rate. The action-packed ending almost brings down the seriousness of the whole thing to the level of a furiously edited teenage murder mystery (comparisons with Se7en are therefore inappropriate in this respect and others), but the murderous, unpredictable twist puts a crown on a great script, which despite its exaggerated effect impressed me massively. An innovative and extremely entertaining game with proven genre elements and, among others, absolutely (for most of the runtime) amazing editing and awesome soundtrack... Content-wise, it has its flaws, but formally it’s 5* without any doubt. 85% (04/09/2012)

Come out and play, Mister... A whole lot for very little. You see, Saw is like FilmBooster where the room is substituted by the webpages and Jigsaw by POMO himself, who mixes everything up with his twisted sense of humor. He deploys an army of a thousand multi-accounts to stir emotions and turns users against each other. I bet now we can look forward to some final twist and tricks on ordinary people like deleting all of their scores and reviews. That would be a master stroke worthy of this atmospheric genre. (02/10/2022)

There are quite a few things that didn’t come together, the acting isn't the best, but given the filmmakers' enthusiasm, the budget, the ideas (viewing a room through a camera flash), and most importantly, the brilliant and formally bombastic ending, it deserves a buck. Too bad the sequels just ruin the name of this awesome thriller. (03/28/2005)

This saw has really sharp teeth, though a bit rusty in places. Among the good things we can count the thick oppressive atmosphere, several excellent suspenseful scenes and one awesome jump-scare. On the other hand, there is the unconvincing performance of Cary Elwes as Dr. Gordon, a bit of the traditional clichés (the pratfalls or the pointless hesitation before blowing someone away) and the final twist. In itself, it is very, very surprising and shocking, but it is too much "for effect" and in hindsight it digs big holes in the logic of the plot. Still, I won't go below four stars, a film that can happily be described as a heavy punch for the average audience (a friend told me how he experienced a stampede to leave the cinema during a screening in Ireland) doesn't deserve it. (01/08/2005)