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SAW’s opening scene immediately plunges the audience into the unknown, along with the two unfortunate men, Adam (Leigh Whannell) and Dr. Lawrence Gordon (Cary Elwes), who wake to find themselves chained up in a fetid subterranean bathroom. The captives are the most recent targets of a psychopathic genius known as Jigsaw, who constructs elaborate games that force his victims to make impossible choices between life and death. As Adam and Dr. Gordon struggle to unravel the elaborate puzzle of their fate, Detective Tapp (Danny Glover) and his colleague Kerry (Dina Meyer) work furiously to determine Jigsaw’s identity before he can claim yet more victims. But Jigsaw has accomplices – whose willingness is not entirely clear – and his meticulous planning enables him to escape. (official distributor synopsis)

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Reviews (12)

Hromino 

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English This is a very powerful, intense, and somewhat petrifying movie that everyone should watch to get an idea of how to play games in adulthood, if no one wants to play with you anymore, and if you are tired of playing board games like Ludo. Of course, you clearly cannot say that about the other sequels, as they lack the form and concepts of the first movie. ()

3DD!3 

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English An atmospheric slaughter movie that I found surprising thanks to some of the twists. Great ideas put into practice well. Wan certainly knows his stuff. It was pleasant to see many well-known and quality actors alongside some unknown ones. But it isn’t so brutal and doesn’t make you jump, so don’t be afraid. ;) ()

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Lima 

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English This saw has really sharp teeth, though a bit rusty in places. Among the good things we can count the thick oppressive atmosphere, several excellent suspenseful scenes and one awesome jump-scare. On the other hand, there is the unconvincing performance of Cary Elwes as Dr. Gordon, a bit of the traditional clichés (the pratfalls or the pointless hesitation before blowing someone away) and the final twist. In itself, it is very, very surprising and shocking, but it is too much "for effect" and in hindsight it digs big holes in the logic of the plot. Still, I won't go below four stars, a film that can happily be described as a heavy punch for the average audience (a friend told me how he experienced a stampede to leave the cinema during a screening in Ireland) doesn't deserve it. ()

lamps 

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English A delight. The triumph is not so much the story itself, but rather its imaginative compositional structure – the uncompromising way it throws us into the plot, the brilliantly constructed atmosphere of hopelessness and physical danger, and the gradual uncovering of the past, which allows us to patiently, bit by bit, look deeper and deeper into the whole plot scheme and absorb its depressing atmosphere with an ever-increasing heart rate. The action-packed ending almost brings down the seriousness of the whole thing to the level of a furiously edited teenage murder mystery (comparisons with Se7en are therefore inappropriate in this respect and others), but the murderous, unpredictable twist puts a crown on a great script, which despite its exaggerated effect impressed me massively. An innovative and extremely entertaining game with proven genre elements and, among others, absolutely (for most of the runtime) amazing editing and awesome soundtrack... Content-wise, it has its flaws, but formally it’s 5* without any doubt. 85% ()

D.Moore 

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English I didn't need the epileptic camera none-sense and the metallic soundtrack, but I admit that Saw is a good horror film, certainly above average by current standards. But I only realized this because of the great, great, great ending - until then I thought I was watching a rip-off of Seven, in which the characters occasionally do horribly stupid things (blinding illumination, by lightning, for example). ()

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