Dark City

The dark setting and black backgrounds create an original and depressing atmosphere. Alex Proyas literally revels in this, and it must be acknowledged that this is his style and he is a good director. Rufus Sewell is in an unusual role here, one of his few in B-movies. The film has a very peculiar atmosphere and top-level visual effects, and it does not lack originality and inventiveness, but the ending is not as intellectually or emotionally strong as I would have imagined based on the unfolding of the story. (02/19/2005)

Dark, dark and just dark again… Alex Proyas is amazing and his direction is very thought provoking, he bombards the viewer from the beginning to the very end with one dark shot after another, and I was so deeply depressed while watching that I almost managed to fall asleep. Dark City is visually impressive and very depressing; the last time I experienced similar feelings was during Blade Runner, except that here I was a little bored. At first, the story failed to engage me, but from the second half onwards, the plot builds up nicely and culminates in a successful duel (the way they hang in the air against each other reminded me of the final fight in The Matrix Revolutions). The ending itself is powerful and has a very cathartic effect. (11/17/2003)

If the Dark City was not consciously pointing out the proper noir atmosphere right from the beginning, I would almost say that the main character could have found the way to the beach on the Internet. While for us, travelling anywhere is nowadays a simple process, when with two clicks we can see not just the journey from the map’s position, but also the journey from the car driver’s position, in this film it formed the basis of the story. The film changed from noir crime film into a complete sci-fi in a split second. I thought that it is nice that in the nineties the American directors had balls to shoot similar movies. Nowadays, nobody would pay for it unless it had the stamp of Marvel or a remake. (04/04/2016)

Alex Proyas delights in darkness. He literally loves it. And he wants the audience to love it too. This is not only the case with the film "Dark City," but also with his other works. If there is a dawn, it is more metaphorical, an awakening, a change. This precursor to "The Matrix" gives another answer to the visions presented to us and what a person can achieve. (10/13/2015)

The materialized nightmares of Alex Proyas, where hope remains in the form of the beautiful Jennifer in impenetrable darkness. From Dark City, the believable and yet perfectly and typically divided characters of the charismatic protagonist or excellently played doctor Sutherland emerge. And just when everything starts to take itself too seriously, a horde of aliens arrive, boldly settling the film back into a position of a more cheaply constructed sci-fi narrative. But who cares, when it can be so innocently irresistible. (01/25/2006)