Day Watch

The plot is an even greater mess than in the first part. As a result, it’s practically unbearable in terms of content, and the only thing you can focus on is the incredible formalistic orgies of Russian super talent Bekmambetov. This guy has the potential to become the king of action in the coming years, but he needs to break free from messy plots and work on a simple and straightforward storyline, which, under his energetic direction, will most likely be a first-class experience, which, unfortunately, despite some undeniable qualities, this mess is not by any means. (09/02/2008)

Unlike Night Watch, Day Watch has the advantage that from the very beginning the viewer accepts the rules of the game set by the filmmaker and gets swept away by an even more convoluted story, wrapped in an even more furious visual garb. The editing, cinematography, and music have all been sped up by director Bekmambetov to achieve the maximum effect i.e., a thoroughly confused viewer. This is especially true if you remember the bare minimum from the previous film. Fortunately, we get a few flashbacks that clarify a lot. The illogicality of some of the unfinished themes from the first film also eventually came together, but Day Watch still has the same level of quality as its predecessor. (04/09/2006)

Day Watch is a mess, but in the nicest sense of the word. The vampire universe here has no rules, no set abilities or limits, so the viewer is not at all prepared for what might happen the next minute. Here the hero teleports through posters, there he flies through a closed subway door. For example, one of the characters is told by another character that she's not invited to the party, but she'll definitely send her some pictures of it. Then, at the party scene, we see that uninvited character there as a photographer. She subsequently stops the exposure time of the camera. The whole of Moscow is here destroyed by a rubber ball (not seriously). Logically, the script runs on half-gas, but its functionality surprises with about seven times catharsis at the end. On the other hand, for the music, as in the first episode, they should crack someone around. Day Watch makes as much of an argument for Timur being a brilliant director as it does for him being a total dud. Yet his follow-up, Wanted, proved the former. (08/21/2007)

Bekmambetov simply indulges in action scenes and wants to present them in a way that is as impactful and interesting for the viewer as possible. He succeeds in this to a certain extent. In his rendition, it is at times genuinely thrilling, but I can't help it, "Denní hlídka" simply did not captivate me with its story. If I had seen it when it was released, maybe it would have been different. As it is, it remains consistently impressive above average, and that's all. (02/20/2014)

I really like the original Night Watch and even after watching it multiple times, I consider it to be a quality combination of sci-fi and fantasy. However, when the Day Watch started, I became more and more disappointed and my great expectations gradually turned into disgust. After the initial third, I felt like Bekmambetov had gone crazy and made a total nonsense and mess out of the sequel, in which even the readers of the source material cannot make sense. Maybe it was only after the body swap that I gave him a chance and in this stage, I endured until the end. I simply don't know what advice to give here. More magnificent, more epic, but noticeably more confusing, on the other hand with a brilliant ending. If both parts were combined into one, unnecessary side storylines (Kostya) were skipped, and the screenplay focused on the main storyline with the Great, it could have been a true Russian triumph. (08/12/2006)