Flightplan

*** Spoilers! *** Flightplan is most reminiscent of Ron Howard’s Ransom. However, whereas Ransom was built “only” on a powerful twist that divided the film into two halves that work separately and together, Flightplan wants to go further; the powerful twist isn’t enough and is instead intended to make a major point. But the film’s insensitive and confusing transition from the first, psychological level to the second, action-oriented level requires viewers to spend ten minutes finding their bearings in the plot, after which they are only served a portion of American heroism. Flightplan is a technically precise, atmospherically and psychologically well-made drama that turns into a feminine version of Air Force One. And that’s a shame. (11/10/2005)

Had it not been for the terrible screenplay, this could have been a more than decent thriller. The interesting introductory premise remained criminally unused. At the same time, from the beginning (or in the first hour or so of the movie) everything looks pretty good until the "shocking climactic twist", which while everyone anticipates it, at the same time everyone hopes with all their might that it wouldn’t come to this... But it does. After the psychological-mystical introduction comes the action-dramatic finale of the worst and saddest type. The screenplay is truly weak, with poorly written characters. At least the actors give as much as possible to these desperately one-dimensional and mostly useless characters. Even the director tries to disguise the weaknesses of the screenplay as much as possible, but it simply cannot be done and so it remains a mediocre affair in all respects. (11/18/2005)

The ending didn't have to turn into all that "action" and the main villain could have forgiven himself a speech in which he tells how and why he set up everything, but it doesn't change the fact that Flightplan is a pleasantly watchable thriller (light) with a very good paranoid atmosphere and a quite original idea. I'm rounding up three and a half stars. (02/04/2013)

I liked the first half of the movie a lot. Just the kind of psychological puzzle movies I like. But suddenly the villain is revealed to the viewer and a huge and stale bore begins. She tries, blah blah blah... he's hot on her heels... and she eventually escapes him. She's a hero. Except for the ridiculously flubbed ending, a nice show. (04/23/2011)

Very weak. There are plot mistakes and blunders in the script, holes like in Swiss cheese, not to mention the second half of the film, which can be called one big cliché. The actors are unremarkable, and even Jodie Foster didn't convince me completely. The first half is still quite watchable. The realistic portrayal of airport operations and certain established rules in air travel is satisfying, and sometimes are highlighted in the foreground. But all attempts at a realistic thriller are undermined by the foolish script. Technically, the film is surprisingly mediocre. The interior of the airplane is beautifully arranged, but the outdoor shots are downright tragic. How could the airplane be black and without a single Airline logo? There are truly a lot of these shortcomings. The final explosion scene is technically botched, and you can feel the computer's involvement (and this is not the first time). This is definitely not for me. (03/17/2006)