Directed by:
Len WisemanScreenplay:
Danny McBrideCinematography:
Simon DugganComposer:
Marco BeltramiCast:
Kate Beckinsale, Scott Speedman, Shane Brolly, Tony Curran, Derek Jacobi, Steven Mackintosh, Bill Nighy, Michael Sheen, Sophia Myles, Zita Görög, Brian Steele (more)VOD (2)
Plots(1)
With the exposure of well-kept secrets and the tough resolve of one betrayed Vampire warrior, a centuries-long struggle between vicious predators has reached new heights of fierceness. But it's one Immortal's insatiable lust for power that leads to disturbing new disclosures about the origins of the feud between the Vampires and the Lycans. The past just got very twisted, and the future may reveal an entirely new breed, the likes of which no one has ever seen. Hunted vampire Selene seeks out Marcus, king of the Vampires, in the hope of bargaining for her life. Hybrid Michael wants to join Selene in her quest but is unable to trust the werewolf raging uncontrolled inside him, and she refuses his companionship. Their love proves more powerful than genetics, however, when Marcus descends upon Selene, intent on annihilating her. In the battle that ensues, Selene discovers that she has been betrayed by her own family she sets out to seek her revenge. Selene seeks out Adrian Tanis, official Historian of the Covens, for help unraveling the web of lies spun by Marcus and Viktor in their battle for supremacy. Intrigue deepens when Tanis reveals the identity of the first true Immortal: neither Marcus nor Viktor, as was believed, but Alexander Corvinus, father to Marcus and this twin brother, William. Corvinus, like an omnipresent god on the fringes, has been tracking everyone's movements and cleaning up after their wars, intent on keeping his descendents confined to the shadows of human society. Side by side, Selene and Michael battle the horrifically strong and determined Marcus, who is determined to release his imprisoned brother William from captivity and use his bloodlust to achieve world domination. Each confrontation unearths new revelations, casting a harsh light upon previous events and cutting through the darkness of painful memories buried deep within. (official distributor synopsis)
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Reviews (10)
Underworld: Evolution is a solid sequel to the first part, completing the rest of the puzzle and a fairly well thought out vampire-Lycanian mythology. I liked the concept of the first immortal and his sons, the founders of two houses that have been hunting and killing each other since time immemorial. I also have to mention the good connection to the first film and the flashbacks to the past, which broke up the time plane of the story so the plot didn't feel so monotonous. Similarly to the first one, the biggest weakness was the poorer script in places and some scenes that were made for effect without being logical. Despite this, though, and perhaps because of it, I like this series for its action-packed, purposefully goofy (which I mean no disrespect) look. A sequel comparable to the first one, which certainly doesn't put the series to shame and even stands out slightly from the pack thanks to its many flashbacks.
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Van Helsing, Blade 2, Terminator. When watching the second Underworld, you sometimes get the feeling that you are watching a hybrid of all these movies. But a very entertaining hybrid, I should say. Wiseman’s directing hasn’t improved one bit since part one. But thanks to having more money, we get a more bombastic story and even bigger craziness than last time. And to top things we get Kate Beckinsale in a latex suit, so who could want anything more from this summer put-your-feet-up movie.
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I did take one star off, but only because it didn't bring anything new compared to the first installment. Then again, the things I liked about the first one didn't get spoiled by the second one, so I had a pretty good time again while mostly switching my brain off. I was just puzzled by the combination of Russian-speaking policemen driving cars with Hungarian signs.
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Here we get a dangerously added plot, the mythology of the entire franchise, and yet again the only thing that remains watchable is the latex Kate in the main role. It’s too bad they've added more colors because seeing her love scene in metallic blue again would be more interesting. And I also prefer to keep Derek Jacobi as Claudio in my memory.
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A cheaper, blue-filtered version of Van Helsing that becomes ever more predictable as it draws closer to the end credits. Thanks, however, to the shorter runtime and Kate Beckinsale’s great image, I found this less boring than Van Helsing.
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