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A breathtaking vision of Cuban revolutionary history wrought with white-hot intensity by Humberto Solás, this operatic epic tells the story of a changing country through the eyes of three women, each named Lucía. In 1895, she is a tragic noblewoman who inadvertently betrays her country for love during the war of independence. In 1932, she is the daughter of a bourgeois family drawn into the workers’ uprising against the dictatorship of Gerardo Machado. And in the postrevolutionary 1960s, she is a newlywed farm girl fighting against patriarchal oppression. A formally dazzling landmark of postcolonial cinema, Lucía is both a senses-stunning visual experience and a fiercely feminist portrait of a society journeying toward liberation. (Criterion)

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kaylin 

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English Cuban films apparently have one important element in common - their nationality, culture, politics, and specific characteristics are contained in them. This is incredibly beneficial for national cinematography, and Solás managed to present it on three women with the same name. It is a long film, but not uninteresting. ()

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