Plots(1)

A remake of the 1951 sci-fi classic of the same name, The Day the Earth Stood Still follows astrobiologist Helen Benson (Jennifer Connelly) as she is unceremoniously plucked from her everyday life with her stepson (Jaden Smith), and whisked away to consult the government on a top-secret matter. That matter happens to be the arrival of a massive glowing sphere in Central Park, accompanied by a towering robot-like protector dubbed Gort and an alien ambassador named Klaatu (Keanu Reeves), who takes up human form to communicate with the people of Earth. When Klaatu finds himself faced with hawkish, uncompromising officials, he goes on the run with Benson and her son as the fate of the world gradually becomes clear. (20th Century Fox)

(more)

Videos (4)

Trailer 2

Reviews (9)

3DD!3 

all reviews of this user

English A great old-school sci-fi (in very nice visual packaging) unfortunately with a typical ending about the hope than human kind can change. I haven’t seen the original, but in my eyes Derrickson did an excellent job maintaining the idea and the feeling of the original (I’ll certainly have a look at that to confirm my thoughts), which has a timeless theme. Moreover, Keanu Reeves exceeded my expectations massively because in truth I couldn’t imagine him in a role like this. For me the best scene of the movie was the ingenious beginning which was very reminiscent of The Thing in terms of atmosphere. ()

POMO 

all reviews of this user

English The Day the Earth Stood Still neither offends nor enraptures, and it definitely doesn’t satisfy, be it in terms of plot or the technical aspect. Derrickson alternates nice thought-provoking and emotional moments with purely visual ones, but the first type is scarce and the second one is clichéd and unoriginal. And the rest is just filler held afloat only by the performances of Jennifer Connelly and Keanu Reeves. Even though these two have little to do here, you’ll root for Jennifer from the start and as for Keanu, you’d believe him even as an alien, in spite of the fact that his facial expressions are the same as in all his other movies. The young Jaden Smith is terrible, just like the young Dakota Fanning a few years earlier. As an intimate director, Scott Derrickson was not the best choice (the character of an army general, who acts more like a redneck carpenter posturing in a garage, is a failed attempt at irony). The film has a pleasant “sci-fi charm”, but it is overly cautious and bland. It comes up short in the inevitable comparison with Spielberg’s War of the Worlds, which was a far more exciting experience despite all its faults. ()

Ads

D.Moore 

all reviews of this user

English An average sci-fi film with an idea and a message, but not everyone is necessarily going to be in the mood for it. Keanu Reeves impressed me the most in the film - he plays the alien in such a way that he really looks perfectly "out of it" most of the time - and I was also looking forward to John Cleese. Even though I knew his role wouldn't be the biggest... I wasn't expecting such a bark :-/ The good thing about this film is the quality visual effects, the bad thing is definitely the annoying stepson and after him the sometimes boring plot. Basically, three stars. ()

Lima 

all reviews of this user

English A worthy remake that does not put its predecessor to shame. The original was released in the 1950s, during the raging Cold War, and spoke with much more urgency, so the pleas that "We can change!" in the current version sound rather empty, but technically, it's clear that this spirited little sci-fi film has benefited from a modern coat of paint, especially in the character of the alien guardian Gort, who surpasses his predecessor in terms of impressiveness. The charismatic Keanu Reeves certainly didn't disappoint, but I'd love to shoot the whiny Smith to the Milky Way. ()

Marigold 

all reviews of this user

English This really was a failure. Visually weak, retarded ideas, it flashes here and there is a decent atmosphere, but otherwise the sky is gray and no rain falls from it. The frowning Reeves and his Golem bring a message from the stars, but they find themselves in the middle of a flood of clichés from traditional disaster films, including the stupid family crisis of a beautiful astrobiologist. The result is a confused ride from place to place and boring chatter about humanity to the sound of Bach and the machine gun cannonade of the US ARMY. And when there's nothing to show, we get an unraveling as if from a goofy hippie trip. This is not about simplicity of thought, but rather simplicity of presentation. Derrickson tripped up nicely with this, and his version of the sci-fi classic is neither a sexy spectacle nor a film with a solid idea. It is worth considering that in terms of balance and the presentation of a simple agitating idea, the new version cannot compete with the original whatsoever. ()

Gallery (50)