Pan's Labyrinth

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Following a bloody civil war, young Ofelia enters a world of unimaginable cruelty when she moves in with her new stepfather, a tyrannical military officer. Armed with only her imagination, Ofelia discovers a mysterious labyrinth and meets a faun who sets her on a path to saving herself and her ailing mother. But soon, the lines between fantasy and reality begin to blur, and before Ofelia can turn back, she finds herself at the center of a ferocious battle between good and evil. (Criterion)

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POMO 

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English Pan’s Labyrinth has everything that Tim Burton’s movies used to have in the old days – spiritual content clad in a stunning visual package. It is a unique fantasy that blends the fantastic world of a little girl’s imagination with the cruelest face of the adult world. It is thus two powerful movies in one, leading to a surprising, poetic and very thought-provoking ending. Pan’s Labyrinth seems like an adaptation of a rich fantasy novel, perfectly rendered on the silver screen. Guillermo del Toro’s genius lies in the fact that his film is not based on any book but on his own highly sophisticated script. Introducing the horrifying aspect of the film in form of the actions of Sergi López’s character at the very beginning of the film is an arguably brutal, but very effective decision! ()

gudaulin 

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English Faun's Labyrinth meets all the requirements of a quality film - a strong story, the appropriate budget, an experienced director, and a solid cast. It is exactly the kind of fantasy that I like because it doesn't trample on the most cheaply stolen motifs from Tolkien in a thousand ways, but goes its own way and combines a classic fairy tale story with a realistically conceived war drama. It is original, emotional, tense, and artistically elaborate with excellent cinematography, and the director is not afraid of even naturalistic bloody scenes and ventures into the realm of pure horror. Overall impression: 90%. The pinnacle of Guillermo del Toro's work so far, which will be difficult for the director to surpass... ()

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Isherwood 

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English Via its distinctive treatment, the unique fairy tale theme is offered to a rather older audience, who will not only enjoy the decadent atmosphere but also the many exquisite details that director Del Toro uses to give his fantasy world a soulfulness and an overall feeling of perfect sophistication. The amazing sets, masks, and the contrast of the civil war with the fantasy world are just a sliding surface. The truth lies beneath the surface, where the viewer's imagination and brain must be engaged. Bravo! ()

Marigold 

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English A truly naturalistic drama from the twilight of the Spanish Civil War, which, through its groundwork of the neighboring worlds of reality and fantasy (surreal), recalls the director's film called Devil. Thanks to the difference between the two worlds, Pan's Labyrinth splits into two different levels – the level of bestial drama and the level of a Goya picturesque fairy-tale horror about the world behind the mirror. What I really miss in this film is the coherence and integrity of both fictional spaces. With the exception of the conclusion, from their union, I had the impression of a kind of discord, uselessness, and that it was forced. Maybe I'm too used to Burton's optics, in which everything has its order. Guillermo Del Toro has order mainly in the visual and technical concept, which is excellent and makes Pan's Labyrinth into a high-quality spectacle in terms of atmosphere, masks, set design and, last but not least, acting. In the end, the culmination of the film brought a clear moment of motivation to the whole scheme and dulled slightly my awkward impression of Del Toro's script. If this special genre mix doesn't appear in Czech movie theatres, the distributors should put their heads in the sand. Despite having a few criticisms, it's a hugely attractive experience and arguably the best endeavor of the Mexican's career... I place it in the poetic neighborhood of Tim Burton and partly Terry Gilliam. ()

3DD!3 

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English Once upon a time... This unusual fairytale from Guillermo del Toro gave me much more than I expected. Pan’s Labyrinth is full of enthusiasm and love for fantasy, imagination and fairytales. The mysterious “faun-like" atmosphere alternates nicely with real life from the end of the Second World War, without taking away anything from one or the other. The acting performances are excellent and the little Ivan Baquero has my respect. She played difficult scenes amazingly and truly convincingly. The superb makeup shared hugely in conjuring up the almost horror feeling to the movie (especially the um... Pale Man was a work of genius) and I also liked the music which set a great atmosphere for the story. ()

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