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Nicholas Angel is the finest cop London has to offer, with an arrest record 400% higher than any other officer on the force. He's so good, he makes everyone else look bad. As a result, Angel's superiors send him to a place where his talents won't be quite so embarrassing -- the sleepy and seemingly crime-free village of Sandford. Once there, he is partnered with the well-meaning but overeager police officer Danny Butterman. The son of amiable Police Chief Frank Butterman, Danny is a huge action movie fan and believes his new big-city partner might just be a real-life "bad boy," and his chance to experience the life of gunfights and car chases he so longs for. Angel is quick to dismiss this as childish fantasy and Danny's puppy-like enthusiasm only adds to Angel's growing frustration. However, as a series of grisly accidents rocks the village, Angel is convinced that Sandford is not what it seems and as the intrigue deepens, Danny's dreams of explosive, high-octane, car-chasing, gunfighting, all-out action seem more and more like a reality. It's time for these small-town cops to break out some big-city justice. (official distributor synopsis)

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Reviews (10)

kaylin 

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English A great action comedy where everything is a bit exaggerated, but at the same time, it is excellently constructed as both a parody and a standalone functioning film. Simon Pegg and Nick Frost simply fit together, just as Edgar Wright fits with them. This collaboration of these three personalities of contemporary British cinema is the best they have ever been responsible for. ()

Lima 

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English To be clear, I love horseshit, intentionally and unintentionally funny B-movies and parodies full of references, but there was nothing here. As with the previous Shaun of the Dead, I'm experiencing a slight déjà-vu. Wright's hammy humour bores me immensely, his editing epileptic jerks irritate me and quotes alone do not make a good film. The whole film leaves a sour taste on the tongue with a question directed at Edgar Wright: “What the fuck is this guy doing?” ()

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DaViD´82 

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English Who you gonna call when Bad Boys don’t know what to do? Nobody better than Simon Pegg and Nick Frost... After Shaun of the Dead, the Wright/Pegg duo is back and this time they poke fun at crime movies, buddy movies and action movies of all kinds. Basically, all the positive ingredients from Shaun can be found in Hot Fuzz too. Unfortunately this also applies to the negative aspects. One of the main pluses of this movie is that it really is funny - which cannot be said about every comedy released recently. Primarily, it doesn’t parody in that “commercial, American" style. You don’t necessarily need to know the scenes that are parodied here, because they are more of a subtle nod for movie connoisseurs. This movie works more than well, primarily thanks to the marvelous dose of British humor. The action is perfect in terms of filmmaking craft and is better than in many an A-grade action movie. Some scenes will have you rolling in the aisles. Simon Pegg and his aura easily carries through even at those couple of weaker moments that crop up in the course of the rather overly-long running time. And he is skillfully seconded by the creme de la creme of contemporary British comedy. Unfortunately, the result suffers from the same ailment as its older brother - a rather weak middle section. But generally it applies that this movie from the pens of Pegg and Wright is polished, intelligent and mainly darn good. Just a shame that again it is one step short of absolute perfection. But still, you can’t help but love Hot Fuzz. And as a bonus, Cate Blanchett appears here in an unmissable central role. "Nurp!" ()

3DD!3 

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English "You haven’t seen Bad Boys 2?" An action party that has everything – Tony Scott’s epileptic fits, Bay-style helicopters and all that jazz. All spiced up with great British humor and an unusual plot. A movie from the fans to the fans that is a must see for every orthodox geek. ()

gudaulin 

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English Genius films are those that can balance exactly on the edge, so if any ingredient were added just a little bit, it could turn into a failure from a great success. During the first half of the film, I had a great time and it could have been the comedy of the year for me. The precisely calibrated exaggeration on the topic of an overly enthusiastic police officer within an established bureaucratic machinery was not only functional but divine. Similarly, the confrontation between the big city and the sleepy small-town environment where everyone knows each other very well. Unfortunately, in the second half, the creators felt the need to add. Practically everything. As we know, too much of anything is harmful, and thus it turned into a rather average absurd farce. The moment the army of murdering psychopaths appeared and the dialogues took on the dimension of British nonsense, the charm of the film was lost for me. I would give the first half a rating of 100%, the second half 50%, and overall 75%. ()

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