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When 4 year old Amanda McCready disappears from her home and the police make little headway in solving the case, the girl's aunt, Beatrice McCready hires two private detectives, Patrick Kenzie and Angie Gennaro. The detectives freely admit that they have little experience with this type of case, but the family wants them for two reasons - they're not cops and they know the tough neighborhood in which they all live. As the case progresses, Kenzie and Gennaro face drug dealers, gangs and pedophiles. When they are about to solve the case, they are faced with a moral dilemma that tears them apart. (Miramax Films)

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Reviews (11)

Othello 

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English I can forgive a lot of things, but the fact that the film gets virtually nowhere despite three tons of moralizing and wannabe "think about that" bullshit, hardly. I'm not of the opinion that a film needs to have a statement, but if it's fucking pretending to be one all the time, it could at least live up to expectations. An asterisk for the scene in the pedophile's lair. ()

gudaulin 

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English A disturbing, intelligent thriller with a provocative theme and an even more provocative climax, which pits law and justice against each other, i.e., the criminal code and morality. It even explores the boundaries of ethical behavior by relativizing the concepts of good and evil. Its characters are not black and white and are also exposed to extreme situations that require truly fundamental and difficult decisions. The clever script has several significant twists in the perspective of the characters and their actions, and the film can be watched not only as a brilliant detective story but also as an excellent psychological drama. Moreover, the film is brilliantly cast and professionally directed and acted. I have absolutely no problem giving it five stars. Overall impression: 95%. ()

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novoten 

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English This story looks like a classic. One crime that not only changes the lives of all involved, but completely turns them upside down. And all with the help of a constantly twisting script, which is so cleverly narrated that you won't start twisting at any turn, wondering what we just saw. And when something similar almost happens, like during the key action at the quarry, the voiceover of the main character immediately assures you that you are definitely not alone in it. What surprises me the most is how quickly the story won me over, so that despite the anonymity and ordinariness of the character Patrick, I was scared of him after a few minutes and experienced all the crucial decisions with him. Affleck's directorial certainty is therefore an unimaginable promise not only for the genre. ()

J*A*S*M 

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English Without a final twist and uncompromisingly leaving the question “What is right?”, it would only have been a thriller with brilliant direction and performances, but with that Gone Baby Gone becomes an exceptionally intense experience and a superb drama. But is the answer to that question really that hard? Not for me. ()

Lima 

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English A powerful drama, very well written, but above all brilliantly directed. I’m inclined to agree with the opinion about the intellectual overtones mentioned several times here, the dilemma that is transferred from the main character to the viewer at the end is impressive and the last shot, my God, is perfection itself. And most importantly, the whole narrative has oomph and it doesn't matter if it's the chillingly harsh scene with a paedophile in the second half of the film or a simple dialogue between the two protagonists. A true joy to watch. And Casey Affleck? He articulates weird, he looks weird, he acts weird, but all of that together create a very interesting person that I couldn't take my eyes off. Ben, in the future, act as you did in Hollywoodland, while continuing to develop your undoubted directorial talent, and I have no choice but to repeat myself: "It was a great pleasure." ()

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