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Doctor Parnassus (Christopher Plummer) is cursed with a dark secret. Thousands of years ago he made a bet with the devil, Mr. Nick (Tom Waits), in which he won immortality. Centuries later, on meeting his one true love, Dr. Parnassus made another deal with the devil, trading his immortality for youth, on condition that when his daughter reaches her 16th birthday, she will become the property of Mr. Nick. His daughter is now rapidly approaching the age milestone and Dr. Parnassus is desperate to protect her from her impending fate. (Showtime)

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Reviews (11)

Marigold 

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English Oh, the old fool... again, he forgets that for all the intoxicating gloss, veils and crazy shapes, the whole show sways precariously in an ocean of thought and narrative confusion. But can you be mad at him for it? You can, although The Imaginarium of Doctor Parnassus is levels above the botched film The Brothers Grimm. It’s him again - the whimsical, wasteful, restless child and a collage maker of the impossible... However, despite the excellent acting, his last work is one of his lesser films. However, I cannot hide the fact that this quality is still damn good compared to others. ()

Necrotongue 

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English I treated myself to another viewing of a film I saw years ago when my world was still all right. It only confirmed my belief that Terry Gilliam is a true visual artist. Admittedly, I wasn't looking forward to rewatching it, remembering that the story went slightly over my head. It turns out that I just needed to age for it like fine liquor. Nothing threw me off, confused me, or annoyed me this time, and I could enjoy this fantastic, wild ex-Python ride to the fullest without being distracted by a lot of unanswered questions. If the casting of four actors as Tony hadn't been a bare necessity and a last-ditch move, it would still have been a great idea, perfectly suited for this wacky film. My personal favorite was Tom Waits as Mr. Nick. It was a weird film, no question about it, but if you know Terry Gilliam's work, you know that it could have been a lot more bizarre. I simply had to increase my rating after all these years. / Lesson learned: I strongly don't recommend gambling with the Devil. ()

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Isherwood 

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English It's Gilliam's full-field fantasy that made a virtue out of a necessity (Depp, Law, Farrell), and while there’s really nothing to fault it for, it's not something absolutely worth loving. Rather, it’s "just" a marionette adorned with colorful ribbons in the hands of an aging yet solid puppeteer. 4 ½. ()

novoten 

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English There is nothing against heating in the wide-ranging imagination, but the story must not be forgotten. Terry Gilliam stubbornly creates "in his own way" to the point where his regularly repeated formula for the end begins to slowly but surely irritate me against the majority of usual rules. The inventive first hour and the likable main characters against the backdrop of the right mystical plot are wasted when it starts to get entangled, change sides, and overturn archetypes. I can understand why such surprises are successful with the audience, but a great cinematic experience did not occur on my side, despite multiple acting performances by Ledger and his alter-ego or the beauty of Lily Cole. ()

lamps 

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English What does it matter that the visuals are so charming and interesting when, story-wise, The Imaginarium of Dr. Parnassus is an utterly weak spectacle that, after a promising first half hour, gradually lost my sympathy until it stopped at the freezing point? At least the stars are visibly enjoying their participation, although I would be a thousand times happier if none of them had to help Terry Gilliam and Heath Ledger was still among us. More or less only for him, for Johnny Depp and for Jude Law I give the two stars (I don't mention Farrell, because I couldn't watch that long)... ()

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