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In Clash of the Titans, the ultimate struggle for power pits men against kings and kings against gods. But the war between the gods themselves could destroy the world. Born of a god but raised as a man, Perseus (Sam Worthington) is helpless to save his family from Hades (Ralph Fiennes), vengeful god of the underworld. With nothing left to lose, Perseus volunteers to lead a dangerous mission to defeat Hades before he can seize power from Zeus (Liam Neeson) and unleash hell on earth. Perseus sets off on a perilous journey deep into forbidden worlds, leading a daring band of warriors, including Draco (Mads Mikkelsen), an experienced soldier who encourages the defiant Perseus to make use of his god-given abilities. Battling unholy demons and fearsome beasts, they will only survive if Perseus can accept his power as a god, defy his fate and create his own destiny.

Propelling audiences into a mythological world of epic action and adventure, Clash of the Titans will be presented in 3D, making the gods even more formidable, the creatures even more fearsome, and taking audiences even deeper into the mythological realm of Perseus’ quest. (official distributor synopsis)

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DaViD´82 

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English More than a remake of Clash of the Titans, this is more an abortive attempt at adaptation of the computer fight game Titan Quest. P.S.: It is very telling that the only (yes, the only!) bright moment was thanks to the weakest link of the original (yes, the owl). ()

POMO 

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English The rulers of heaven, which looks like something from a cheap porn flick, send two “scary” characters – a dimwit from Star Trek and a CGI Medusa with a model’s face – to stop a modern-day Chuck Worthington Norris from preventing Kraken’s King-Kong dinner. If Louis Leterrier really is a fan of the 1981 original, which, as he says, is forever in his heart and on his mind, he should get a brain transplant. ()

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novoten 

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English When the remake of Clash of the Titans was announced some time ago, a large part of the audience rejoiced that in the new version, Perseus' story would be more than just a fairy tale embellished mainly by nostalgia. It would be visually attractive, adequately action-packed, or refreshingly adventurous. But when the remake came to theaters, the original film suddenly became an untouchable Hollywood legend, and the tricks that seemed inappropriate in childhood memories became a pleasantly old-fashioned spectacle. For me, the original will remain a pleasant reminder of bygone years, but Leterrier's version, that's a different story. Perseus as a vengeful and determined warrior, his companions more than just an anonymous group of helpers, the beautiful Io, and above all, the entire second half of the film that doesn't give you a moment to breathe, turning attractive popcorn into an unforgettable journey through Greek mythology. Although this battle with the gods is far from flawless (I was getting into the pace very slowly until Perseus sets off from Argos), I am very willing and happy to watch adventure blockbusters, just like Greek myths. ()

lamps 

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English This remake of a famous fantasy adventure can’t even hold a candle to its 30 year older predecessor. The film is packed with action, but everything seems too fast, without emotion, without thought and, most importantly, without suspense. Those who were looking forward to the thrilling duels with Medusa and the Kraken will be disappointed, because this duo, who managed to create so much tension in the original version, are not much more than a blink in the story and you don't even get to enjoy them properly. Also, Sam Worthington, with his charisma, is unable to fulfil the role of the fearless and valiant son of the ruler of the gods and please the female part of the audience. In short, everything is bad... 35%. ()

Isherwood 

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English You won't find a better on-screen adventure for miles, but the bad thing is that this is a remake of a cult classic that definitely didn't deserve this level of editing. Leterrier likes action, which is decently underscored by Djawadi's aggressive bass, but unfortunately, he layers it into a completely nonsensical and UNINTERESTING whole that relies on visuals from The Lord of the Rings and a frantic pace that simply BORES with its perpetual asking of logical questions! Without the badasses Mikkelsen and Cunningham and the beautiful Arterton, there would be absolutely nothing to see here. ()

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