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A college professor (Nicolas Cage) opens a time capsule that has been dug up at his son s elementary school. In it are some chilling accurate predictions of disasters... when, where, and how many will die. Most of these events must uncover the details of the next disasters in hopes of preventing them. If he fails, who knows how many will die? (Summit Entertainment)

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Reviews (12)

Marigold 

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English Most of the time I thought that critics had hurt Knowing, because it is a thrilling and suggestive disaster film that surpasses its even more expensive colleagues thanks to Proyas' directing and great visuals. However, the biblical finale turns the tolerable ridiculousness into something very close to farce. One tends to forgive disaster films their plot holes and the strange (un)motivation of the characters, but the moment the creators hit you with heavy metaphysical calibers, you can now veto the tolerance. Knowing clearly suffers from ambitions that were too high. If it had stayed more grounded, it would be amongst the top films of the genre. Nicolas Cage saying a sentence like "how do I save the world?" would be a problem even in a much better-thought-out film. [65%] ()

D.Moore 

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English If Nicolas Cage has something to act in, he does it. In the case of Knowing, he was lucky to have both a decently atmospheric and chillingly escalating script and a director who really knows how to play with films. After a long time, Knowing is a Cage film (i.e., starring Cage) that I can recommend to just about anyone. Suspenseful from the beginning until the great final 25 minutes, with decent special effects and Marc Beltrami's music, which you will notice especially during the more dramatic scenes. Clean four stars, good job! ()

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3DD!3 

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English You know those movies that have a brilliant theme but kind of a stupid screenplay? Well, this is one of them. Luckily, Proyas is such an expert that he brings absolutely everything to really important scenes. The disasters that happen are each more delicious than the last and are filmed in such a way that you won't know which one you liked better. Cage kind of pissed me off that he stole such a good movie from someone who isn’t going through a bad acting period (though he tried quite hard here) and I was wondering why not try to cast Kiefer Sutherland or Tom Hanks? Mainly, it would have been better to re-cast the screenwriters. However, at the end I was fully absorbed and I was just watching to see what the hell was going on. Atmospheric science fiction which brings one possible answer to the basic question: "Why?". ()

POMO 

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English I, Robot was a pure studio movie – expensive, spectacular and bombastic, but also shallow and superficial. Knowing is a smaller, more modest film but also more personal and sensitive. Too bad that the not-very-original subject matter and weaker ending overshadow the otherwise perfect screenwriting and editing work, where everything from the detailed depiction of the characters and action dynamics to horror elements is delivered in precisely measured doses. Not to mention the fact that the special effects are not just self-serving eye candy, but are subordinate to a story with a soul. And I haven’t seen Nick Cage in such a well-fitting role for a while. Knowing is a high-quality small film that I’m rating higher than I expected. ()

Zíza 

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English Caleb was a bit of a klutz. Abby totally cool, like nothing was going on all the time, her mom the complete opposite, just yelling, hysterical all the time. And Nicholas was Cage... More than half of the movie was pretty much boring, and for how long the movie is, it's pretty long. The best part of the whole movie was the big flashback. So I'm thinking the last scene could be followed up with another movie... ()

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