The Trial of the Chicago 7

One of those films that's so elaborate it's simply a joy to watch, although there is “just" talking for two hours. The script is almost at the level of 12 Angry Men, and through a story from the 1960s it tells clearly enough about the present, the monologues and dialogues are refined, the tension rises only when someone is silent, or when someone interrupts someone's speech. Aaron Sorkin was able to write and shoot a great film, with a cast that has most importantly the perfect Sacha Baron Cohen and Mark Rylance, but the other actors are certainly good as well. It's also a big treat thanks to Daniel Pemberton's music. (10/19/2020)

A history lesson for high school students led by a vain teacher who likes to show how he can popularize an interpretation even at the cost of losing the essentials. It's a courtroom sitcom that still balances on the edge of a caricature. The connection between the court proceedings and the events during the demonstration is laborious in terms of the directing, and the screenplay, despite having a good rhythm, sometimes feels like its showing off. The acting is satisfactory and it's not boring, but for me it doesn't have any deeper impact beyond decent fun, with a somewhat clumsy ambition to become a society-wide event. (10/22/2020)

Netflix's burning iron is a Best Picture of the Year and Oscar contender and I'm rooting for it! Aaron Sorkin serves up a tense and controversial trial about a demonstration in Chicago where blood flowed in the streets, and it's one of the best courtroom dramas of the last few years. The acting is absolutely top-notch and every actor gets a chance to shine (Sacha Baron Cohen, Yahya Abdul-Mateen II, Michael Keaton, Eddie Redmayne and Mark Rylance are all impeccable). The film has a very oppressive atmosphere, is emotionally charged, nicely paced and I found myself holding my breath during the courtroom scenes. A very good film in every respect, I have nothing to fault it. Story*****, Action>No, Humor***, Violence**, Entertainment*****, Music****, Visuals****, Atmosphere*****, Suspense****. 9/10. (10/16/2020)

This delicately written, acted and edited conversational movie about positive values and a bad system of power is surprising due to its rather banal and, for Sorkin, unexpectedly theatrical climax. For me, the highlight of the film remains the first long, one-shot scene in the courtroom, followed by static shots of those present standing at attention after the judge steps into the courtroom. (10/27/2020)

The acting is so good, I'd gladly watch it all over again this minute. And amazingly its Cohen who carried it for me, despite the fact that I’m not exactly a fan. Whether he was joking or being serious, I totally believed that this is exactly the kind of person that existed back then. Having seen the whole thing, I rate the script as successful, but I guess I won't be the only one who wasn't hooked at first. Once the courtroom opened, the powerful, at times sad, at times funny trial began, with the aforementioned cast delivering a beautiful, at times heartbreaking, performance. Still, I feel that their performances could have been "pieced together" a little better for the viewer. A strong 4 stars. (08/28/2021)