The White Ribbon

Michael Haneke is an excellent author who can surprise you with each of his films because each of his films is different. It is a different genre, often a different style, although it is true that his films usually have a slower pace. Here, you will be absolutely captivated by the black-and-white execution, even though the film was not originally shot in black and white, but later adjusted to black and white. (04/12/2016)

That was awesome! A hard, unpleasant and very intense psychological drama. I’ve just watched it and I feel as if Haneke had ran me over with a steamroller. The White Ribbon is a truly impressive mosaic of relationships in an Austrian village before WWI that reveals the origins of human hatred and corruption. It’s almost like a realistic Twin Peaks. (01/01/2010)

In a respectable one hundred and forty minutes, Haneke uncovers a truly incredible cabaret of the demeaning, hypocritical, vengeful, and cruel. The most depressing analysis of a closed society you're likely to come across. And the film pulls this off on its own without any judgement. In this work, the door plays a major role. (07/02/2010)

The White Ribbon is not so much a dark thriller or even a crime drama as it is a journey into the early 20th century and a precisely executed depiction of the societal thinking and hierarchy of that time. It is a late patriarchal system where the word of the family breadwinner was law and upbringing took place not only in a strict religious but primarily authoritarian conservative spirit. Order, discipline, and authority, where many dark stories took place under the guise of orderliness, and many things were successfully swept under the rug. Masturbation was a crime, but sexual abuse was not addressed. Haneke is an excellent director and it shows in this film. The unsettling atmosphere of the village, far from civilization centers, where the advances of modern technology and modern liberal philosophical movements have not yet reached. I have a problem with some of Haneke's films, with his manipulation of the audience's emotions and unresolved endings, but he succeeded here. The unsettling ending with lots of dark suspicions, hints, and terrifying visions somehow fits into the period of the beginning of World War I and the end of that old quiet patriarchal society. Overall impression: 90%. (03/25/2012)

The White Ribbon is the best possible thesis work of a student of all creative subjects at film school. I am one of those viewers who are able to appreciate this (and I have nothing but praise for Michael Haneke’s art), but a long time ago I fell in love with moving pictures above all for their emotions, and those are lacking here. (01/13/2010)