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Clyde Shelton (Gerard Butler) is an upstanding family man whose wife and daughter are brutally murdered during a home invasion. When the killers are caught, Nick Rice (Jamie Foxx), a hotshot Philadelphia prosecutor, is assigned to the case. Nick offers one of the suspects a light sentence in exchange for testifying against his accomplice. Fast forward ten years. The man who got away with murder is found dead and Clyde Shelton coolly admits his guilt. Then he issues a warning to Nick: Either fix the flawed justice system that failed his family, or key players in the trial will die. Soon Shelton follows through on his threats, orchestrating from his jail cell a string of spectacularly diabolical assassinations that can be neither predicted nor prevented. Philadelphia is gripped with fear as Shelton’s high-profile targets are slain one after another and the authorities are powerless to halt his reign of terror. Only Nick can stop the killing, and to do so he must outwit this brilliant sociopath in a harrowing contest of wills in which even the smallest misstep means death. With his own family now in Shelton’s crosshairs, Nick finds himself in a desperate race against time facing a deadly adversary who seems always to be one step ahead. (official distributor synopsis)

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Reviews (11)

3DD!3 

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English Wimmer's screenplay isn't particularly great, but it’s central idea is really good. Moreover, the excellent Gerard Butler immediately got not only to me, but also to my sister, and we were on his side throughout the whole movie. Personally I understood why he was doing it. Hell, I'd do the same thing. Unfortunately, the closer we get to the conclusion, the more the creators make him a negative character so that they could slip into an established template. Not that this suddenly makes the whole movie bad, it just takes a certain aura away from Butler. Something is stolen from the film that could have made it an unforgettable spectacle. It's not what you know, Clyde. It's what you can prove in court. ()

DaViD´82 

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English I hereby notify all upstanding citizens that Foxx is about as endearing here as any regular politician and Butler didn’t even attempt to endow his character with the charisma needed to command due respect. And if that weren’t enough, while writing this weak broth made from the first part of Saw, they looked up the term “shocking twist" but mixed up the definition with that for “load of hogwash". ()

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Othello 

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English Grrr disappointing. The film has a terribly fast pace, by the second minute Butler has a baseball bat in his face and some initial getting-to-know-you takes place via a knife in his stomach, after all why not, but then you find the film deals this half-heartedness and brevity terribly often. You can't begin to empathize with Butler that fast based on one scene where he and his daughter exchange two sentences and his wife calls something to him, because in the next one they take them out "there's just another woman and child in the film". Thus your attention is drawn to just wondering what a pissed off Butler is going to do and how he's going to do it, and thus a film that imho relies on making the viewer feel outrage at a poorly set up legal system becomes a cold viewing experience not unlike, say, installments of the Saw series ("I wonder how he's going to take this one down"), which doesn't work out much either because Butler is full of crap like "...this gonna be biblical." and "...then everybody will die" and then the excited viewer is disappointed when he doesn't do that much. It's a shame to talk about the logic of some of the scenes and the completely out of nowhere ending. All in all, a star for the scene with the phone, a star for the steak bone scene, and a star for Butler. ()

Marigold 

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English Imagine a drunk fan watching a football match and forgetting who he is cheering for. At least that’s how Gray's film seemed to me. It tries to look very serious, but as a result ends up with proven truths and clichés. A well-creased punk who drinks coca-cola while dreaming of absolute anarchy. But if I think away from the really poor imitation of playing with the motif of system corruption, then this is quite a suitable thriller. Neither Butler nor Fox give us anything more than we are used to seeing, Gray is gracefully satisfactory, and Law Abiding Citizen rides more on a wave of positive impressions. If only the film sometimes didn't pretend to be a smarty-pants and didn't act like a glued monkey... ()

Kaka 

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English F. Gary Gray is indeed a routine artist, and probably will be forever, but I would be lying if I said Citizen is not an interesting and relatively thrilling movie at certain moments. I was surprised by the brutality of some scenes and the R rating, but I was not surprised by the awkward twist and the average screenplay. There is a decent chemistry between Butler and Foxx, but they exploit it only halfway (greetings to the screenwriter),.The pyrotechnic effects like Backdraft and the shootout in the cemetery evoking Sheriff were a pleasant retro touch. ()

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