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In the year 1752, Joshua and Naomi Collins, with young son Barnabas, set sail from Liverpool, England to start a new life in America. But even an ocean was not enough to escape the mysterious curse that has plagued their family. Two decades pass and Barnabas (Johnny Depp) has the world at his feet-or at least the town of Collinsport, Maine. The master of Collinwood Manor, Barnabas is rich, powerful and an inveterate playboy...until he makes the grave mistake of breaking the heart of Angelique Bouchard (Eva Green). A witch, in every sense of the word, Angelique dooms him to a fate worse than death: turning him into a vampire, and then burying him alive. Two centuries later, Barnabas is inadvertently freed from his tomb and emerges into the very changed world of 1972. He returns to Collinwood Manor to find that his once-grand estate has fallen into ruin. The dysfunctional remnants of the Collins family have fared little better... (official distributor synopsis)

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Reviews (12)

gudaulin 

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English I remember times when Tim Burton managed to capture my heart and enchant me with a film that had only a fraction of the budget of Dark Shadows. Something is simply wrong and that is despite the fact that an American studio provided exclusive conditions to the well-known director and that a number of top stars, including Burton's favorites Johnny Depp and his ex-partner Helena Bonham Carter, appear on the screen. The potential is there, but except for the sex appeal-loaded Eva Green, nothing works as I would imagine. By the way, I am one of those men who would without hesitation prefer the demonic witch over the boring Bella as the main hero. Overall impression: 55%. ()

Marigold 

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English Burton fizzled out and there was nothing left but a bunch of make up, pretty sets and once emotive themes. More than anything else, the character of Barnabas is an unintentional authorial self-reflection by a filmmaker who, since Sweeney Todd, has been copying himself and chasing the ghosts of the past. ()

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D.Moore 

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English I had fun, but unfortunately not all the time. I don't have a single reservation about what happened between the prologue and the end of the ball, where a certain Alice Cooper (the ugliest woman I've ever seen:) ) performed. The film is set in sympathetic semi-darkness, the humor fell on fertile ground in my case (especially the bon mots of Jackie's servant Earl Haley), and Depp's creation of a vampire cautiously exploring a new world amused me (Mephistopheles!) greatly... And yet it all still managed to be thrilling and engaging. So what went wrong? It was definitely in the last third. When it came to the settling of scores, the lynchings by an angry mob and the (admittedly) spectacular finale, in which, for example, one character quite senselessly became a werewolf, I yawned. That’s really too bad. I'm not going to lash out about Tim Burton being stale or anything... He did a good job at conjuring the atmosphere - he just had to keep a close eye on the screenwriter, who clearly wanted to digitally exploit the film's generous Warner Brothers budget at the last minute. Or was he hypnotized? ()

POMO 

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English Irresistible costumes, makeup and vivid colors create a cute floral seventies atmosphere (with great opening credits). There are a few cute references and allusions, but you would expect more from Johnny Depp’s ancient vampire’s interactions with the modern world. Dark Shadows is an eccentric film that attempts to pay homage to all kinds of things Burton likes, but it’s surprisingly not very funny and the characters are just iconic figures in a story that won’t absorb you. It’s a stylish farce that looks good but has no heart or emotion. Tim Burton seems to be drying up, which is a shame. It reminded me of Death Becomes Her. ()

J*A*S*M 

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English Congratulations to Tim Burton for once again managing to make a bad film. And this time he tried really hard. Not a bit of darkness. Under the surface, another annoying wannabe stylish crap with a heavily made-up Johnny in the main role and an elite cast that has nothing to do under Burton’s direction. Awful, the only good thing is the soundtrack. ()

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