Ghost in the Shell

A more personal and therefore bolder version of what was seen in the Japanese vision. I don't need a secretive philosophy at all costs, although it hypnotized me many times in the animated Ghost in the Shell. It fascinates me with its inaccessibility, but precisely because it never lets me completely in, it still forces me to be too polite and reserved towards it. On the other hand, Mira gradually allows me to reach through all of its layers, and I am happy to meet her halfway. Action symphony and fatal conceptual crossroads have finally found each other at their very best. (07/08/2017)

Who the fuck is Rupert Sanders and why does such an artless routine artist get 150 million, solid actors and a good composer to make a boring, hopelessly unimaginative, sterile shithole full of darkened shots, uninteresting plot and logical lapses? You could do such wonders with all the glitter and jingle of those fluffy big city visuals! The inspiration from Cloud Atlas and Blade Runner is quite obvious, but completely wasted. After this disappointment, at least we know for sure that we don't want this contrived void as a sequel to Blade Runner! (04/01/2017)

The shell is there, but where is the ghost? Ghost in the Shell is a narrative action-packed summer blockbuster intended for an audience with the mentality of a 14-year-old boy raised on video games. However, its cyberpunk appearance does not hide the cyberpunk philosophy. The title invokes the idea of a great conspiracy, a mystery that will be surprisingly revealed in the end. But the plot is trivial and predictable. Furthermore - and I really don't like this - the creators try to evoke the feeling of something smarter, with a philosophical overlay. Fortunately for Sanders' film, both Matrix sequels, which are probably the most glaring example of this flaw, were two levels stupider than Ghost in the Shell. Even the visuals didn't impress me as much as the creative team intended. It is overdone and not darkly depressing enough, as befits cyberpunk. The action is too frenzied, simply tailored to the generation of computer kids. It will receive two stars from me only just barely, and they are mostly for Scarlett. Overall impression: 35%. (04/22/2018)

The entire time I was watching, I was thinking that I’ve waited a long time for proper cyber orgies like these. But I’ve realized that apart from gorgeous animations, perfectly edited and rendered city of the future and amazing music, it’s extremely important for a movie to have a soul. And that soul is, amongst other things, created by the actors themselves. But this time, they didn’t exactly manage to do that. Pilou Asbæk and Takeshi Kitano have absolutely amazing roles, but Scarlett Johansson is so awfully stiff that the entire movie ends up being stiff. A shame. (10/01/2017)

First cinema disappointment this year. I only know Ghost in the Shell as a game, I haven't come into contact with the anime and I have no idea what the film benefits from more, anyway it's rather bland. This is hardcore sci-fi with a cyberpunk twist that won't be very appealing to many viewers, I think the film is aimed at a very narrow audience, i.e. to the average viewer who is unfamiliar with both the game and the anime, it doesn't have much to say. Scarlett Johansson was surprisingly good here, visually the fictional world has something to it, the action scenes are rather average except for the opening one (which was flawless) and the finale is unfortunately the weakest part of the film. In some places I was a bit bored, so there is no question of great fun. It was watchable, but I would skip the cinema. 60% (03/31/2017)